Far from being a unique, defining property of the confessional poets, confessionalism is a central trope of American literature. This book examines confessional writing not as a private, apolitical art, but rather one that demonstrates an engagement with the politics of literary influence, of gender relations, and of American culture more broadly.
Far from being a unique, defining property of the confessional poets, confessionalism is a central trope of American literature. This book examines confessional writing not as a private, apolitical art, but rather one that demonstrates an engagement with the politics of literary influence, of gender relations, and of American culture more broadly.
Acknowledgements Introduction Anne Sexton, Confession, and the Autobiographical Fallacy John Berryman and Psychoanalytic Poetics The Madwoman in the Asylum: The Confessional Writer and the Twentieth-Century Literary Imagination Madness and the Confessional Paradigm Conclusion Bibliography Index
Acknowledgements Introduction Anne Sexton, Confession, and the Autobiographical Fallacy John Berryman and Psychoanalytic Poetics The Madwoman in the Asylum: The Confessional Writer and the Twentieth-Century Literary Imagination Madness and the Confessional Paradigm Conclusion Bibliography Index
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