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![Concerto per viola e orchestra op. 109 di Guillermo Uribe Holguín]( "Concerto per viola e orchestra op. 109 di Guillermo Uribe Holguín")
Concerto per viola e orchestra op. 109 di Guillermo Uribe Holguín36,99 €![Concerto para Viola e Orquestra Op. 109 de Guillermo Uribe Holguín]( "Concerto para Viola e Orquestra Op. 109 de Guillermo Uribe Holguín")
Concerto para Viola e Orquestra Op. 109 de Guillermo Uribe Holguín36,99 €![Concierto para viola y Orquesta Op. 109 de Guillermo Uribe Holguín]( "Concierto para viola y Orquesta Op. 109 de Guillermo Uribe Holguín")
Concierto para viola y Orquesta Op. 109 de Guillermo Uribe Holguín36,99 €![Concerto pour alto et orchestre Op. 109 de Guillermo Uribe Holguín]( "Concerto pour alto et orchestre Op. 109 de Guillermo Uribe Holguín")
Concerto pour alto et orchestre Op. 109 de Guillermo Uribe Holguín36,99 €![Konzert für Viola und Orchester op. 109 von Guillermo Uribe Holguín]( "Konzert für Viola und Orchester op. 109 von Guillermo Uribe Holguín")
Konzert für Viola und Orchester op. 109 von Guillermo Uribe Holguín54,90 €![Koncert dlq al'ta s orkestrom Op. 109 Gil'ermo Uribe Ol'gin]( "Koncert dlq al'ta s orkestrom Op. 109 Gil'ermo Uribe Ol'gin")
Koncert dlq al'ta s orkestrom Op. 109 Gil'ermo Uribe Ol'gin13,99 €![El impresionismo musical y su relación con la obra de Guillermo Uribe]( "El impresionismo musical y su relación con la obra de Guillermo Uribe")
El impresionismo musical y su relación con la obra de Guillermo Uribe48,99 €
The following document is focused on presenting the concerto for viola and orchestra Op. 109 by the Colombian composer Guillermo Uribe Holguín, through a new edition of the score, as well as an analysis from different perspectives, such as relevant historical aspects of the composer, the period, and the description of some technical elements of the piece: articulations, fingerings, and bows, necessary to obtain a better interpretative execution, which contributes to the violist's repertoire, and makes known the legacy of our composers. In the course of the research, I have also found it important to refer to the viola school that has been developing in Colombia since the arrival in the country of the violist Gerhard Rothstein (1910-1978), who taught violin and viola to several generations for more than forty years, as well as awakening interest in other Latin American musicians in our composers who are little performed, giving the concerto a place in the violist's repertoire.