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An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Produktbeschreibung
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Autorenporträt
Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music.