This volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future.
This volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future.
Jä Elsner is Humfry Payne Senior Research Fellow in Classical Art and Archaeology, Corpus Christi College, University of Oxford, UK andVisiting Professor of Art and Religion, University of Chicago, USA.
Inhaltsangabe
Contents: Introduction: Some Stakes of Comparison by Stanley K. Abe and Jä Elsner Chapter 1: Our Literal Speed by Our Literal Speed Chapter 2: Locations of Comparison: Some Personal Observations by Wu Hung Chapter 3: Bivisibility: Why Art History is Comparative by Whitney Davis Chapter 4: Redundacy Transformation Impersonation by Margaret Olin Chapter 5: The Object in the Comparative Context by Ittai Weinryb Chapter 6: Sculpture: A Comparative History by Stanley K. Abe Chapter 7: Intersecting Historiographies: Henri Pirenne Ernst Herzfeld and the Myth of Origin by Avinoam Shalem Chapter 8: Comparativism in Anthropology: Big Questions and Scaled Comparison - An Illusive Dream? by Susanne Küchler Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison by Richard Neer Chapter 10: Christian Marclay's Real Time Fiction by Robert Slifkin Chapter 11: Narrative Naturalism and the Body in Classical Greek and Early Imperial Chinese Art by Jeremy Tanner
Contents: Introduction: Some Stakes of Comparison by Stanley K. Abe and Jä Elsner Chapter 1: Our Literal Speed by Our Literal Speed Chapter 2: Locations of Comparison: Some Personal Observations by Wu Hung Chapter 3: Bivisibility: Why Art History is Comparative by Whitney Davis Chapter 4: Redundacy Transformation Impersonation by Margaret Olin Chapter 5: The Object in the Comparative Context by Ittai Weinryb Chapter 6: Sculpture: A Comparative History by Stanley K. Abe Chapter 7: Intersecting Historiographies: Henri Pirenne Ernst Herzfeld and the Myth of Origin by Avinoam Shalem Chapter 8: Comparativism in Anthropology: Big Questions and Scaled Comparison - An Illusive Dream? by Susanne Küchler Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison by Richard Neer Chapter 10: Christian Marclay's Real Time Fiction by Robert Slifkin Chapter 11: Narrative Naturalism and the Body in Classical Greek and Early Imperial Chinese Art by Jeremy Tanner
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