Committed Styles offers a new understanding of the literature of the 1930s and its relationship to modernism, exploring the tensions between formal experimentation and political vision that lie at the heart of the politicised literature of the 1930s.
Committed Styles offers a new understanding of the literature of the 1930s and its relationship to modernism, exploring the tensions between formal experimentation and political vision that lie at the heart of the politicised literature of the 1930s.
Benjamin Kohlmann is Assistant Professor of English at Freiburg University, Germany, having previously held a postdoctoral fellowship at the Department of English and Comparative Literature at Columbia University. His most recent articles have been published in ELH, PMLA, Modernism/Modernity, and Textual Practice.
Inhaltsangabe
* Introduction * 1: 'Responsible Propagandists': I. A. Richards, T. S. Eliot, and Cambridge Experiment * 2: An Honest Decade: William Empson and the Uses of Poetry * 3: Between Communism and 'Purity' of Style: The Revolutions of English Surrealism * 4: Social Facts and Poetic Authority: The Political Aesthetic of Mass-Observation * 5: Bad Dreams: Edward Upward and Marxist Prophecy * Coda * Bibliography
* Introduction * 1: 'Responsible Propagandists': I. A. Richards, T. S. Eliot, and Cambridge Experiment * 2: An Honest Decade: William Empson and the Uses of Poetry * 3: Between Communism and 'Purity' of Style: The Revolutions of English Surrealism * 4: Social Facts and Poetic Authority: The Political Aesthetic of Mass-Observation * 5: Bad Dreams: Edward Upward and Marxist Prophecy * Coda * Bibliography
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