Coastal Cultures of the Long Nineteenth Century
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'From Martello towers and mermaids to telegraph cables, Swahili chairs and the "invention" of Cannes, these fine, thought-provoking essays demonstrate just how largely the coast loomed in British nineteenth-century culture. Artists, writers, scientists, religious thinkers, politicians and the public were all drawn by the sea, which in turn shaped Britain's relationship with the world. A very able crew of distinguished scholars and rising stars navigates the uncharted waters and major cultural currents of Victorian age.' Fiona Stafford, University of Oxford The first book to examine the…mehr

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Produktbeschreibung
'From Martello towers and mermaids to telegraph cables, Swahili chairs and the "invention" of Cannes, these fine, thought-provoking essays demonstrate just how largely the coast loomed in British nineteenth-century culture. Artists, writers, scientists, religious thinkers, politicians and the public were all drawn by the sea, which in turn shaped Britain's relationship with the world. A very able crew of distinguished scholars and rising stars navigates the uncharted waters and major cultural currents of Victorian age.' Fiona Stafford, University of Oxford The first book to examine the cultural importance of the coastline in the nineteenth-century British imagination The long nineteenth century witnessed a dramatic, varied flourishing in uses for and understandings of the coast, which could seem at once a space of clarity or of misty distance, a terminus or a place of embarkation - a place of solitude and exhilaration, of uselessness and instrumentality. Coastal Cultures of the Long Nineteenth Century takes as its subject this diverse set of meanings, using them to interrogate questions of space, place and cultural production. Outlining a broad range of coastal imaginings and engagements with the seaside, the book highlights the multivalent or even contradictory dimensions of these spaces. The collection offers essays from major figures in the cutting-edge field of maritime studies and includes interdisciplinary discussions of coastal spaces relevant to literary criticism, art history, museum studies and cultural geography. Matthew Ingleby is Lecturer in Victorian Literature at Queen Mary, University of London. Matthew P. M. Kerr is Lecturer in British Literature, 1837-1939, at the University of Southampton. Cover image: Violet and Blue: The Little Bathers, Pérosquérie, James Abbott McNeill Whistler, 1888. Oil on wood panel; 12.4 × 21.7 cm (4 7/8 × 8 9/16 in.) Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop, 1943.178. Photo: Imaging Department © President and Fellows of Harvard College Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-3573-4 Barcode
Autorenporträt
Dr Matthew Ingleby is Lecturer in Victorian Studies in the Department of English, Queen Mary University of London. He is the author of Nineteenth-Century Fiction and the Production of Bloomsbury: Novel Grounds (Palgrave, forthcoming 2018) and Bloomsbury (British Library Publishing, 2017). Dr Matthew P. M. Kerr is Lecturer in British Literature, 1837 to 1939 at the University of Southampton. He is currently revising his first monograph, Boundless: The Language of the Sea and the Nineteenth-Century Novel (under consideration by Oxford University Press). His research appeared in several key journals in Victorian Studies.