This rich collection of essays by an international group of authors explores a wide range of commentaries on ancient Latin and Greek texts. It pays particular attention to individual commentaries, national traditions of commentary, the part played by commentaries in the reception of classical texts, and the role of printing and publishing.
This rich collection of essays by an international group of authors explores a wide range of commentaries on ancient Latin and Greek texts. It pays particular attention to individual commentaries, national traditions of commentary, the part played by commentaries in the reception of classical texts, and the role of printing and publishing.
Christina S. Kraus is Thomas A. Thacher Professor of Latin at Yale University Christopher Stray is Honorary Research Fellow in the Department of History and Classics at Swansea University
Inhaltsangabe
* Preface * List of Figures * List of Contributors * 1: Christina S. Kraus and Christopher Stray: Form and Content * Part 1: Individuals: Commentaries and Modern Commentators * 2: P. J. Finglass: Jebb's Sophocles * 3: Christopher Stray: A Teutonic Monster in Oxford: The Making of Fraenkel's Agamemnon * 4: Richard F. Thomas: My Back Pages * 5: Stephen Harrison: Two-author Commentaries on Horace: Three Case Studies * 6: S. P. Oakley: Dodd's Bacchae * Part 2: Traditions: Commentaries on Specific Authors and Texts * 7: Salvador Bartera: Commentary Writing on the Annals of Tacitus: Different Approaches for Different Audiences * 8: Jackie Elliott: Commenting on Fragments: The Case of Early Roman Poetry * 9: Armand D'Angour: Between Scylla and Charybdis: Text and Conjecture in Greek Lyric Commentary * 10: Han Baltussen: Philosophers, Exegetes, Scholars: The Ancient Philosophical Commentary from Plato to Simplicius * 11: Guido Milanese: Italian Commentaries on Lucretius * 12: Justin Haynes: Citations of Ovid in Virgil's Ancient Commentators * 13: John Davies: The Historical Commentary * Part 3: Material: Form, Series, Markets * 14: Paul F. Gehl: Selling Terence in Renaissance Italy: The Marketing Power of Commentary * 15: Julia Gaisser: From Giovanni Pontano to Pierio Valeriano: Five renaissance Commentators on Latin Erotic Poetry * 16: Stuart Gillespie: Translation and Commentary: Pope's Iliad * 17: Christina S. Kraus: Agricolan Paratexts * 18: Roy Gibson: Fifty Shades of Orange: Cambridge Classical Texts and Commentaries * Part 4: Reception: History of Commentary * 19: Caroline Bishop: Hipparchus Among the Detractors * 20: Joseph Farrell: Ancient Commentaries on Theocritus' Idylls and Vergil's Eclogues * 21: A. B. Kraebel: Biblical Exegesis and the Twelfth-Century Expansion of Servius * 22: Katherine Harloe: Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft * 23: Penelope Wilson: Vauvilliers' Pindar and its Place in Pindaric Commentary * Part 5: Futures: Commentaries and the Web * 24: Peter J. Anderson: Heracles' Choice: Thoughts on the Virtues of Print and Digital Commentary * 25: Peter Heslin: The Dream of a Universal Variorum: Digitizing the Commentary Tradition * 26: Sander M. Goldberg: Afterword * Index
* Preface * List of Figures * List of Contributors * 1: Christina S. Kraus and Christopher Stray: Form and Content * Part 1: Individuals: Commentaries and Modern Commentators * 2: P. J. Finglass: Jebb's Sophocles * 3: Christopher Stray: A Teutonic Monster in Oxford: The Making of Fraenkel's Agamemnon * 4: Richard F. Thomas: My Back Pages * 5: Stephen Harrison: Two-author Commentaries on Horace: Three Case Studies * 6: S. P. Oakley: Dodd's Bacchae * Part 2: Traditions: Commentaries on Specific Authors and Texts * 7: Salvador Bartera: Commentary Writing on the Annals of Tacitus: Different Approaches for Different Audiences * 8: Jackie Elliott: Commenting on Fragments: The Case of Early Roman Poetry * 9: Armand D'Angour: Between Scylla and Charybdis: Text and Conjecture in Greek Lyric Commentary * 10: Han Baltussen: Philosophers, Exegetes, Scholars: The Ancient Philosophical Commentary from Plato to Simplicius * 11: Guido Milanese: Italian Commentaries on Lucretius * 12: Justin Haynes: Citations of Ovid in Virgil's Ancient Commentators * 13: John Davies: The Historical Commentary * Part 3: Material: Form, Series, Markets * 14: Paul F. Gehl: Selling Terence in Renaissance Italy: The Marketing Power of Commentary * 15: Julia Gaisser: From Giovanni Pontano to Pierio Valeriano: Five renaissance Commentators on Latin Erotic Poetry * 16: Stuart Gillespie: Translation and Commentary: Pope's Iliad * 17: Christina S. Kraus: Agricolan Paratexts * 18: Roy Gibson: Fifty Shades of Orange: Cambridge Classical Texts and Commentaries * Part 4: Reception: History of Commentary * 19: Caroline Bishop: Hipparchus Among the Detractors * 20: Joseph Farrell: Ancient Commentaries on Theocritus' Idylls and Vergil's Eclogues * 21: A. B. Kraebel: Biblical Exegesis and the Twelfth-Century Expansion of Servius * 22: Katherine Harloe: Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft * 23: Penelope Wilson: Vauvilliers' Pindar and its Place in Pindaric Commentary * Part 5: Futures: Commentaries and the Web * 24: Peter J. Anderson: Heracles' Choice: Thoughts on the Virtues of Print and Digital Commentary * 25: Peter Heslin: The Dream of a Universal Variorum: Digitizing the Commentary Tradition * 26: Sander M. Goldberg: Afterword * Index
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