Cinema Under National Reconstruction - Chung, Hye Seung
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Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.

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Produktbeschreibung
Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Autorenporträt
Hye Seung Chung is the author or coauthor of Movie Minorities: Transnational Rights Advocacy and South Korean Cinema (Rutgers University Press, 2021), Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020) and Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press, 2015), Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance, and Kim Ki-duk.