Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.
Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.
Yuriko Furuhata is Assistant Professor in the Department of East Asian Studies and the World Cinemas Program at McGill University.
Inhaltsangabe
Acknowledgments vii Introduction 1 1. Intermedial Experiments and the Rise of the Eizo Discourse 13 2. Cinema, Event, and Artifactuality 53 3. Remediating Journalism: Politics and the Media Event 88 4. Diagramming the Landscape: Power and the Fukeiron Discourse 115 5. Hijacking Television: News and Militant Cinema 149 Conclusion 183 Notes 203 Bibliography 239 Index 255
Acknowledgments vii Introduction 1 1. Intermedial Experiments and the Rise of the Eizo Discourse 13 2. Cinema, Event, and Artifactuality 53 3. Remediating Journalism: Politics and the Media Event 88 4. Diagramming the Landscape: Power and the Fukeiron Discourse 115 5. Hijacking Television: News and Militant Cinema 149 Conclusion 183 Notes 203 Bibliography 239 Index 255
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