Historically, Los Angeles has been central to the international success of Latin American cinema and became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. This book examines the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema.
Historically, Los Angeles has been central to the international success of Latin American cinema and became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. This book examines the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema.
Table of Contents Acknowledgements 1. Introduction, Colin Gunckel, Jan-Christopher Horak, and Lisa Jarvinen 2. El espectáculo: The Culture of the revistas in Mexico City and Los Angeles (1900−40), Jacqueline Avila 3. Ramona in the City: Mexican Los Angeles, Dolores Del Rio, and the Remaking of a Mythic Story, Desirée J. Garcia 4. Please Sing to Me: The Immigrant Nostalgia that Sparked the Mexican Film Industry, Viviana García Besné and Alistair Tremps 5. A Mass Market for Spanish-language Films: Los Angeles, Hybridity, and the Emergence of Latino Audiovisual Media, Lisa Jarvinen 6. Cantabria Films and the L.A. Film Market, 1938-1940, Jan-Christopher Horak 7. A Cinema between Mexico and Hollywood: What We Can Learn from Adaptations, Remakes, Dubs, Talent Swaps and Other Curiosities, Colin Gunckel 8. On the NUEVO TEATRO MÁXIMO DE LA RAZA: Still Thinking, Feeling and Speaking Spanish on and off Screen, Nina Hoechtl Notes Bibliography Index
Table of Contents Acknowledgements 1. Introduction, Colin Gunckel, Jan-Christopher Horak, and Lisa Jarvinen 2. El espectáculo: The Culture of the revistas in Mexico City and Los Angeles (1900−40), Jacqueline Avila 3. Ramona in the City: Mexican Los Angeles, Dolores Del Rio, and the Remaking of a Mythic Story, Desirée J. Garcia 4. Please Sing to Me: The Immigrant Nostalgia that Sparked the Mexican Film Industry, Viviana García Besné and Alistair Tremps 5. A Mass Market for Spanish-language Films: Los Angeles, Hybridity, and the Emergence of Latino Audiovisual Media, Lisa Jarvinen 6. Cantabria Films and the L.A. Film Market, 1938-1940, Jan-Christopher Horak 7. A Cinema between Mexico and Hollywood: What We Can Learn from Adaptations, Remakes, Dubs, Talent Swaps and Other Curiosities, Colin Gunckel 8. On the NUEVO TEATRO MÁXIMO DE LA RAZA: Still Thinking, Feeling and Speaking Spanish on and off Screen, Nina Hoechtl Notes Bibliography Index
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