Judith Mayne her examines and assesses the major theories of spectatorship as they have developed over the last fifteen years, to explore how the analysis of a genuine dialogue between history and theory can show us how cinema engages its viewers.
Judith Mayne her examines and assesses the major theories of spectatorship as they have developed over the last fifteen years, to explore how the analysis of a genuine dialogue between history and theory can show us how cinema engages its viewers.
Introduction PART ONE: THEORIES OF SPECTATORSHIP 1. The Subject of Spectatorship 2. Spectatorship as Institution 3. Spectatorrship Reconsidered 4. Paradoxes of Spectatorship PART TWO: READINGS OF SPECTATORSHIP 5. Textual Analysis and Portraits of Spectatorship 6. Star-Gazin 7. White Spectatorship and Genre-Mixing 8. The Critical Audience Works Cited
Introduction PART ONE: THEORIES OF SPECTATORSHIP 1. The Subject of Spectatorship 2. Spectatorship as Institution 3. Spectatorrship Reconsidered 4. Paradoxes of Spectatorship PART TWO: READINGS OF SPECTATORSHIP 5. Textual Analysis and Portraits of Spectatorship 6. Star-Gazin 7. White Spectatorship and Genre-Mixing 8. The Critical Audience Works Cited
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