Min Wild explores the idiosyncratic world of satire in the eighteenth-century periodical, focusing on Christopher Smart's underexplored Midwife, or Old Woman's Magazine. In analysing Smart's adoption of a peculiarly female persona, 'Mary Midnight', Wild reveals a learned and ribald wit satirically engaging with questions of gender, politics, and culture. Wild also offers insight into the difficult position in which eighteenth-century writers found themselves as ideas on the nature of authorship were being transformed
Min Wild explores the idiosyncratic world of satire in the eighteenth-century periodical, focusing on Christopher Smart's underexplored Midwife, or Old Woman's Magazine. In analysing Smart's adoption of a peculiarly female persona, 'Mary Midnight', Wild reveals a learned and ribald wit satirically engaging with questions of gender, politics, and culture. Wild also offers insight into the difficult position in which eighteenth-century writers found themselves as ideas on the nature of authorship were being transformed
Min Wild is based in the Department of Humanities at the University of Exeter, UK.
Inhaltsangabe
Contents: Introduction Personal identity and personae in the 18th-century periodical 'The jakes of genius': the nature of the Midwife A 'terrible old lady': the persona of 'Mary Midnight' 'A perfect Swiss in writing': literature and authorship in the Midwife 'Inwardly working a stirre to the mynde': political satire in the Midwife The 'kind juggler': social satire and enlightenment in the Midwife Appendices Bibliography Index.
Contents: Introduction Personal identity and personae in the 18th-century periodical 'The jakes of genius': the nature of the Midwife A 'terrible old lady': the persona of 'Mary Midnight' 'A perfect Swiss in writing': literature and authorship in the Midwife 'Inwardly working a stirre to the mynde': political satire in the Midwife The 'kind juggler': social satire and enlightenment in the Midwife Appendices Bibliography Index.
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