Choreographies of 21st Century Wars
Herausgeber: Morris, Gay; Giersdorf, Jens Richard
Choreographies of 21st Century Wars
Herausgeber: Morris, Gay; Giersdorf, Jens Richard
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Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and contemporary warfare, a pertinent inquiry since choreography has long been linked to war and military training. Authors from a range of disciplines reconceptualize choreography in the face of this century's never ending wars.
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Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and contemporary warfare, a pertinent inquiry since choreography has long been linked to war and military training. Authors from a range of disciplines reconceptualize choreography in the face of this century's never ending wars.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 384
- Erscheinungstermin: 7. März 2016
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 522g
- ISBN-13: 9780190201678
- ISBN-10: 0190201673
- Artikelnr.: 47863216
- Verlag: Oxford University Press, USA
- Seitenzahl: 384
- Erscheinungstermin: 7. März 2016
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 522g
- ISBN-13: 9780190201678
- ISBN-10: 0190201673
- Artikelnr.: 47863216
Gay Morris is a New York based dance and art critic whose work has appeared in numerous newspapers, magazines, and journals. She is the author of A Game for Dancers: Performing Modernism in the Postwar Years, 1945-1960, and is the editor of a collection, Moving Words, Rewriting Dance. Morris is the reviews editor of Dance Research Journal and a member of the editorial board of Congress on Research in Dance. Jens Richard Giersdorf is an Associate Professor of Dance at Marymount Manhattan College. He is author of The Body of the People: East German Dance since 1945, and his work has been anthologized internationally and his articles have appeared in a number of scholarly journals. Giersdorf is a member of the Editorial Boards of the Society for Dance History Scholars and the Congress on Research in Dance.
* Preface
* Introduction: Contemporary Choreographies of Wars, Gay Morris and
Jens Richard Giersdorf
* Chapter 1: Access Denied and Sumud: Making a Dance of Asymmetric
Warfare, Nicholas Rowe
* Chapter 2: Questioning the Truth: Rachid Ouramdane's Investigation of
Torture in Des Témoins Ordinaires/Ordinary Witnesses, Alessandra
Nicifero
* Chapter 3: "There's a Soldier in All of Us": Choreographing Virtual
Recruitment, Derek A. Burrill
* Chapter 4: African Refugees Asunder in South Africa: Performing the
Fallout of Violence in Every Day, Every Year, I am Walking, Sarah
Davies Cordova
* Chapter 5: From Temple to Battlefield: Bharata Natyam in the Sri
Lankan Civil War, Janet O'Shea
* Chapter 6: Choreographing Masculinity in Contemporary Israeli
Culture, Yehuda Sharim
* Chapter 7: Affective Temporalities: Dance, Media, and the War on
Terror, Harmony Bench
* Chapter 8: Specter of War, Spectacle of Peace: The Lowering of Flag
Ceremony at Wagah and Hussainiwala Borders, Neelima Jeychandran
* Chapter 9: A Choreographer's Statement, Bill T. Jones
* Chapter 10: Dancing in the Spring: Dance, Hegemony and Change,
Rosemary Martin
* Chapter 11: War and P.E.A.C.E, Maaike Bleeker and Janez Jana
* Chapter 12: The Body is the Frontline, Rosie Kay and Dee Reynolds
* Chapter 13: Geo-Choreography and Necropolitics: Faustin Linyekula's
Studios Kabako, Democratic Republic of Congo, Ariel Osterweis
* Chapter 14: Re: moving bodies in the Mexico-USA drug, border, cold,
and terror wars
* Ruth Hellier-Tinoco
* Chapter 15: After Cranach: War, Representation and the Body in
William Forsythe's Three Atmospheric Studies, Gerald Siegmund
* Chapter 16: The Role of Choreography in Civil Society under Siege:
William Forsythe's Three Atmospheric Studies, Mark Franko
* Contributors
* Index
* Introduction: Contemporary Choreographies of Wars, Gay Morris and
Jens Richard Giersdorf
* Chapter 1: Access Denied and Sumud: Making a Dance of Asymmetric
Warfare, Nicholas Rowe
* Chapter 2: Questioning the Truth: Rachid Ouramdane's Investigation of
Torture in Des Témoins Ordinaires/Ordinary Witnesses, Alessandra
Nicifero
* Chapter 3: "There's a Soldier in All of Us": Choreographing Virtual
Recruitment, Derek A. Burrill
* Chapter 4: African Refugees Asunder in South Africa: Performing the
Fallout of Violence in Every Day, Every Year, I am Walking, Sarah
Davies Cordova
* Chapter 5: From Temple to Battlefield: Bharata Natyam in the Sri
Lankan Civil War, Janet O'Shea
* Chapter 6: Choreographing Masculinity in Contemporary Israeli
Culture, Yehuda Sharim
* Chapter 7: Affective Temporalities: Dance, Media, and the War on
Terror, Harmony Bench
* Chapter 8: Specter of War, Spectacle of Peace: The Lowering of Flag
Ceremony at Wagah and Hussainiwala Borders, Neelima Jeychandran
* Chapter 9: A Choreographer's Statement, Bill T. Jones
* Chapter 10: Dancing in the Spring: Dance, Hegemony and Change,
Rosemary Martin
* Chapter 11: War and P.E.A.C.E, Maaike Bleeker and Janez Jana
* Chapter 12: The Body is the Frontline, Rosie Kay and Dee Reynolds
* Chapter 13: Geo-Choreography and Necropolitics: Faustin Linyekula's
Studios Kabako, Democratic Republic of Congo, Ariel Osterweis
* Chapter 14: Re: moving bodies in the Mexico-USA drug, border, cold,
and terror wars
* Ruth Hellier-Tinoco
* Chapter 15: After Cranach: War, Representation and the Body in
William Forsythe's Three Atmospheric Studies, Gerald Siegmund
* Chapter 16: The Role of Choreography in Civil Society under Siege:
William Forsythe's Three Atmospheric Studies, Mark Franko
* Contributors
* Index
* Preface
* Introduction: Contemporary Choreographies of Wars, Gay Morris and
Jens Richard Giersdorf
* Chapter 1: Access Denied and Sumud: Making a Dance of Asymmetric
Warfare, Nicholas Rowe
* Chapter 2: Questioning the Truth: Rachid Ouramdane's Investigation of
Torture in Des Témoins Ordinaires/Ordinary Witnesses, Alessandra
Nicifero
* Chapter 3: "There's a Soldier in All of Us": Choreographing Virtual
Recruitment, Derek A. Burrill
* Chapter 4: African Refugees Asunder in South Africa: Performing the
Fallout of Violence in Every Day, Every Year, I am Walking, Sarah
Davies Cordova
* Chapter 5: From Temple to Battlefield: Bharata Natyam in the Sri
Lankan Civil War, Janet O'Shea
* Chapter 6: Choreographing Masculinity in Contemporary Israeli
Culture, Yehuda Sharim
* Chapter 7: Affective Temporalities: Dance, Media, and the War on
Terror, Harmony Bench
* Chapter 8: Specter of War, Spectacle of Peace: The Lowering of Flag
Ceremony at Wagah and Hussainiwala Borders, Neelima Jeychandran
* Chapter 9: A Choreographer's Statement, Bill T. Jones
* Chapter 10: Dancing in the Spring: Dance, Hegemony and Change,
Rosemary Martin
* Chapter 11: War and P.E.A.C.E, Maaike Bleeker and Janez Jana
* Chapter 12: The Body is the Frontline, Rosie Kay and Dee Reynolds
* Chapter 13: Geo-Choreography and Necropolitics: Faustin Linyekula's
Studios Kabako, Democratic Republic of Congo, Ariel Osterweis
* Chapter 14: Re: moving bodies in the Mexico-USA drug, border, cold,
and terror wars
* Ruth Hellier-Tinoco
* Chapter 15: After Cranach: War, Representation and the Body in
William Forsythe's Three Atmospheric Studies, Gerald Siegmund
* Chapter 16: The Role of Choreography in Civil Society under Siege:
William Forsythe's Three Atmospheric Studies, Mark Franko
* Contributors
* Index
* Introduction: Contemporary Choreographies of Wars, Gay Morris and
Jens Richard Giersdorf
* Chapter 1: Access Denied and Sumud: Making a Dance of Asymmetric
Warfare, Nicholas Rowe
* Chapter 2: Questioning the Truth: Rachid Ouramdane's Investigation of
Torture in Des Témoins Ordinaires/Ordinary Witnesses, Alessandra
Nicifero
* Chapter 3: "There's a Soldier in All of Us": Choreographing Virtual
Recruitment, Derek A. Burrill
* Chapter 4: African Refugees Asunder in South Africa: Performing the
Fallout of Violence in Every Day, Every Year, I am Walking, Sarah
Davies Cordova
* Chapter 5: From Temple to Battlefield: Bharata Natyam in the Sri
Lankan Civil War, Janet O'Shea
* Chapter 6: Choreographing Masculinity in Contemporary Israeli
Culture, Yehuda Sharim
* Chapter 7: Affective Temporalities: Dance, Media, and the War on
Terror, Harmony Bench
* Chapter 8: Specter of War, Spectacle of Peace: The Lowering of Flag
Ceremony at Wagah and Hussainiwala Borders, Neelima Jeychandran
* Chapter 9: A Choreographer's Statement, Bill T. Jones
* Chapter 10: Dancing in the Spring: Dance, Hegemony and Change,
Rosemary Martin
* Chapter 11: War and P.E.A.C.E, Maaike Bleeker and Janez Jana
* Chapter 12: The Body is the Frontline, Rosie Kay and Dee Reynolds
* Chapter 13: Geo-Choreography and Necropolitics: Faustin Linyekula's
Studios Kabako, Democratic Republic of Congo, Ariel Osterweis
* Chapter 14: Re: moving bodies in the Mexico-USA drug, border, cold,
and terror wars
* Ruth Hellier-Tinoco
* Chapter 15: After Cranach: War, Representation and the Body in
William Forsythe's Three Atmospheric Studies, Gerald Siegmund
* Chapter 16: The Role of Choreography in Civil Society under Siege:
William Forsythe's Three Atmospheric Studies, Mark Franko
* Contributors
* Index