It has been our intention in commissioning this book to complement the documentary and analytical focus of Cambridge University Press's first volume of Chopin studies, published in 1988. This new collection targets three main areas of research--reception history, aesthetics and criticism, and performance studies--although the boundaries between these are by no means tightly drawn.
It has been our intention in commissioning this book to complement the documentary and analytical focus of Cambridge University Press's first volume of Chopin studies, published in 1988. This new collection targets three main areas of research--reception history, aesthetics and criticism, and performance studies--although the boundaries between these are by no means tightly drawn.
Preface 1. Chopin reception: theory, history, analysis Jim Samson 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt 3. Chopin as modernist in nineteenth-century Russia Anne Swartz 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger 8. Ambiguity and reinterpretation in Chopin Edward T. Cone 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer 11. Chopin's tempo rubato in context David Rowland 12. Authentic Chopin: history, analysis and intuition in performance John Rink Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847¿8 Jeremy Barlow Index.
Preface 1. Chopin reception: theory, history, analysis Jim Samson 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt 3. Chopin as modernist in nineteenth-century Russia Anne Swartz 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger 8. Ambiguity and reinterpretation in Chopin Edward T. Cone 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer 11. Chopin's tempo rubato in context David Rowland 12. Authentic Chopin: history, analysis and intuition in performance John Rink Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847¿8 Jeremy Barlow Index.
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