Andere Kunden interessierten sich auch für
![The Shaman and the Heresiarch: A New Interpretation of the Li Sao]( "The Shaman and the Heresiarch: A New Interpretation of the Li Sao")
The Shaman and the Heresiarch: A New Interpretation of the Li Sao101,99 €![The Analects of Confucius]( "The Analects of Confucius")
The Analects of Confucius14,99 €![Chinese Theories of Fiction: A Non-Western Narrative System]( "Chinese Theories of Fiction: A Non-Western Narrative System")
Chinese Theories of Fiction: A Non-Western Narrative System101,99 €![Essays on Japan: Between Aesthetics and Literature]( "Essays on Japan: Between Aesthetics and Literature")
Essays on Japan: Between Aesthetics and Literature270,99 €![The Poetics of Decadence: Chinese Poetry of the Southern Dynasties and Late Tang Periods]( "The Poetics of Decadence: Chinese Poetry of the Southern Dynasties and Late Tang Periods")
The Poetics of Decadence: Chinese Poetry of the Southern Dynasties and Late Tang Periods101,99 €![Between Tradition and Change: The Hermeneutics of May Fourth Literature]( "Between Tradition and Change: The Hermeneutics of May Fourth Literature")
Between Tradition and Change: The Hermeneutics of May Fourth Literature97,99 €![Before Confucius: Studies in the Creation of the Chinese Classics]( "Before Confucius: Studies in the Creation of the Chinese Classics")
Before Confucius: Studies in the Creation of the Chinese Classics101,99 €
This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature, the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two. Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the "Zbouyi (the "I Ching or Book of Changes), the "Shijing (the "Book of Songs or Book of poetry), and selected poetry; along with the philosophical backgound of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics offering a cross-cultural conceptual model for the comparative study of reading and writing in general.