This book relocates Chinese independent moviemaking from a film to a visual culture perspective enabling the author to explore the role that other movies (mostly, but not exclusively, popular culture products) play in the making of experimental and non-mainstream visual culture.
This book relocates Chinese independent moviemaking from a film to a visual culture perspective enabling the author to explore the role that other movies (mostly, but not exclusively, popular culture products) play in the making of experimental and non-mainstream visual culture.
Paola Voci is a senior lecturer at the University of Otago. Her area of research combines Chinese and film studies. She has published on Chinese cinema, documentary and other non-fiction film/videomaking in contemporary China and the media of the Chinese diaspora.
Inhaltsangabe
1. Smaller Screen Realities 2. Building Bridges: From Silver Screens to Smaller Screen Realities 3. Animations 4. Portable Movies: Cellflix 5. Egao Movies: Wicked Fun, Participatory Culture and Enlightenment 6. Light Political Documentaries 7. Lightened (Up) Subaltern Smaller Screens 8. Smaller Screens: Film Spaces and Theories 9. An Afterword on Lightness: Quasi Conclusion
