G. K. Chesterton

Chesterton Apologetics Set - Heretics, Orthodoxy, and The Everlasting Man

• Broschiertes Buch

Produktbeschreibung

Complete set of three Chesterton Apologetics by G. K. Chesterton in one volume, including Heretics, Orthodoxy, and The Everlasting Man. Heretics - Chesterton discusses ideas by H. G. Wells, George Bernard Shaw, Kipling and others of his day in his argument for God. From the 1905 British edition, it includes great thoughts such as these: "The modern world is filled with men who hold dogmas so strongly that they do not even know that they are dogmas." Orthodoxy - Arranged upon a riddle and an answer, it tells how Chesterton himself went from pagan, to agnostic, to staunch Christian. From the 1908 British Edition. The Everlasting Man - Chesterton successfully challenges the view that man is just another evolutionary animal, and that Jesus Christ was only human. C. S. Lewis said it was the best popular defense of the full Christian position. From the 1925 British Edition, it includes great thoughts such as these: "The life of man is a story; an adventure story; and in our vision the same is true even of the story of God." "Atheists may continue to war with Christianity, but it will be as they war with nature; as they war with the landscape, as they war with the skies." Witty, deep, and positively entertaining, no student of thought should be without this historic book. This edition is provided in a slim volume with full text at an affordable price. TABLE OF CONTENTS HERETICS 3 ORTHODOXY 75 THE EVERLASTING MAN 144

Produktdetails

• Verlag: Chump Change
• Seitenzahl: 258
• Erscheinungstermin: 25. August 2020
• Englisch
• Abmessung: 234mm x 156mm x 15mm
• Gewicht: 398g
• ISBN-13: 9781640322608
• ISBN-10: 1640322604
• Artikelnr.: 60087873

Autorenporträt

Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject. In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.