23,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
12 °P sammeln
Andere Kunden interessierten sich auch für
![The Youth of Things]( "The Youth of Things")
The Youth of Things85,99 €![Flexibility of arguments order within the Yiddish VP]( "Flexibility of arguments order within the Yiddish VP")
Flexibility of arguments order within the Yiddish VP32,99 €![A Temporary Preface to the Six-Text Edition of Chaucer's Canterbury Tales: Part I, Attempting to Show the True Order of the Tales, and the Days and]( "A Temporary Preface to the Six-Text Edition of Chaucer's Canterbury Tales: Part I, Attempting to Show the True Order of the Tales, and the Days and")
A Temporary Preface to the Six-Text Edition of Chaucer's Canterbury Tales: Part I, Attempting to Show the True Order of the Tales, and the Days and30,99 €![The Order of Books]( "The Order of Books")
The Order of Books111,99 €![The Order of Joy]( "The Order of Joy")
The Order of Joy100,99 €![The Correspondence of William Cowper: Arranged in Chronological Order]( "The Correspondence of William Cowper: Arranged in Chronological Order")
The Correspondence of William Cowper: Arranged in Chronological Order42,99 €![Literature and the Social Order in Eighteenth-Century England]( "Literature and the Social Order in Eighteenth-Century England")
Literature and the Social Order in Eighteenth-Century England137,99 €
This is the full-length study in English Natsume Soseki (1867-1916), one of modern Japan's most revered writers. It is a critical examination of a split that runs deep in the discursive space of Soseki's writings as order (narrative control and form) grapples with the forces of chaos (existential loneliness and unfathomable fear). Displaying a profound appreciation for the key attributes and complex cultural significance of Soseki's work, Angela Yiu argues that, although Soseki by nature and temperament desired control and order, his writing betrays a dark, romantic voice that speaks of something cavernous and amorphous. Chaos and Order examines the way Soseki re-interprets existing literary forms and formulates a language to express the duality within him. To illustrate the tension between order and chaos in Soseki's creative process, Yiu analyzes six novels (Nowaki, Gubijinso, Kofu, Sorekara, Kojin, and Michikusa), a collection of literary essays (Garasudo no naka), a series of lectures and critical writings, and Soseki's Chinese poetry (kanshi). The problems of closure, the subversion of forms, critical and poetic languages, and narrative structures and personae are examined in each of the genres.