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A Deleuzian analysis of the role of silence as chaotic interstice in sound film.

Produktbeschreibung
A Deleuzian analysis of the role of silence as chaotic interstice in sound film.
Autorenporträt
Colin Gardner is Professor of Critical Theory and Integrative Studies in the departments of Art, Film and Media Studies, the History of Art and Architecture, and Comparative Literature at the University of California, Santa Barbara. He is the author of Beckett, Deleuze and the Televisual Event: Peephole Art (Palgrave Macmillan, 2012), Karel Reisz (Manchester University Press, 2007) and Joseph Losey (Manchester University Press, 2004).