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Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals. Thackeray even included Dickens in this criticism for his portrayal of the good-hearted streetwalker Nancy and the charming pickpocket, the Artful Dodger, in Oliver Twist. Ainsworth's Jack Sheppard portrayed a real-life prison breaker and thief from the eighteenth century in flattering terms. In…mehr

Produktbeschreibung
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals. Thackeray even included Dickens in this criticism for his portrayal of the good-hearted streetwalker Nancy and the charming pickpocket, the Artful Dodger, in Oliver Twist. Ainsworth's Jack Sheppard portrayed a real-life prison breaker and thief from the eighteenth century in flattering terms. In contrast, Thackeray sought out a real-life criminal whom he could portray in as unflattering terms as possible. He settled on Catherine Hayes, another eighteenth-century criminal, who was burned at the stake for murdering her husband in 1726.
Autorenporträt
William Makepeace Thackeray (1811 - 1863) was a British novelist and author. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy.