`one hell of a seminal read ... Here is a book that grapples, with energy, ingenuity and terrific intellectual rigour, with a bewildering forest of issues around gender and politics ... illuminating, insightful, perceptive.' - Women's Review
`one hell of a seminal read ... Here is a book that grapples, with energy, ingenuity and terrific intellectual rigour, with a bewildering forest of issues around gender and politics ... illuminating, insightful, perceptive.' - Women's Review
Michelene Wandor is a poet, playwright and critic. She was Poetry Editor and a regular theatre reviewer for Time Out magazine (1971-82), and she has written extensively for and about theatre and radio in Britain.
Inhaltsangabe
1 Contexts 2 Cross-dressing, sexual representation and the sexual division of labour in theatre 3 The first phase: 1969-73, 4 The second phase: 1973-7, 5 The third phase: from 1977, 6 The skilled process 7 Finding a voice: women playwrights and theatre 8 Political dynamics: the feminisms 9 Radical plays before 1968: the crisis of virility, the 'feminine' and the 'female' 10 Men playwrights in the 1970s 11 The fourth phase: women playwrights in the 1970s and early 1980s 12 Conclusions and the future; Appendix: All Het Up in Bradford by Noel Greig
1 Contexts 2 Cross-dressing, sexual representation and the sexual division of labour in theatre 3 The first phase: 1969-73, 4 The second phase: 1973-7, 5 The third phase: from 1977, 6 The skilled process 7 Finding a voice: women playwrights and theatre 8 Political dynamics: the feminisms 9 Radical plays before 1968: the crisis of virility, the 'feminine' and the 'female' 10 Men playwrights in the 1970s 11 The fourth phase: women playwrights in the 1970s and early 1980s 12 Conclusions and the future; Appendix: All Het Up in Bradford by Noel Greig
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