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A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture.

Produktbeschreibung
A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture.
Autorenporträt
Kevin Coleman is an Associate Professor of History at the University of Toronto, and author of A Camera in the Garden of Eden: The Self-Forging of the Banana Republic. His research has been funded by the Andrew W. Mellon Foundation and the American Council of Learned Societies; the Social Sciences and Humanities Research Council of Canada; and the Fulbright-Hayes. He is currently working on a documentary film, The Photos We Don’t Get to See, on photographs from the 1928 massacre of banana workers in Colombia.