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  • Gebundenes Buch

Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. This is the first inter-disciplinary volume to examine Greece's entanglement with photography. The book argues that photographs and the photographic process have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the dissemination of propaganda. It is argued that the photographic field constitutes a site of memory and counter-memory, where social actors stake their discursive, material, and practical claims.…mehr

Produktbeschreibung
Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. This is the first inter-disciplinary volume to examine Greece's entanglement with photography. The book argues that photographs and the photographic process have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the dissemination of propaganda. It is argued that the photographic field constitutes a site of memory and counter-memory, where social actors stake their discursive, material, and practical claims.
Autorenporträt
Philip Carabott taught modern and contemporary Greek history at King's College London (1990-2011). He is currently based in Athens as an independent scholar, while remaining a Research Associate at King's College, London, UK. Yannis Hamilakis is Professor of Archaeology at the University of Southampton. Eleni Papargyriou is a Visiting Research Fellow at King's College London, where she taught between 2009-13. She has held research and teaching positions at Oxford University, Princeton University and the University of Ioannina, Greece.