Byzantine Commentaries on Ancient Greek Texts, 12th-15th Centuries
Byzantine Commentaries on Ancient Greek Texts, 12th-15th Centuries
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The first volume to explore the rich tradition of commentaries on ancient texts produced and circulating in Byzantium from the twelfth to the fifteenth century. Examines different types of commentaries on ancient poetry and prose within the context of the study and teaching of grammar, rhetoric, philosophy and science.
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The first volume to explore the rich tradition of commentaries on ancient texts produced and circulating in Byzantium from the twelfth to the fifteenth century. Examines different types of commentaries on ancient poetry and prose within the context of the study and teaching of grammar, rhetoric, philosophy and science.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 21. Dezember 2023
- Englisch
- ISBN-13: 9781009088053
- ISBN-10: 100908805X
- Artikelnr.: 69074752
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 21. Dezember 2023
- Englisch
- ISBN-13: 9781009088053
- ISBN-10: 100908805X
- Artikelnr.: 69074752
Introduction: Byzantine commentaries on ancient Greek texts Baukje van den
Berg and Divna Manolova; 1. The politics and practices of commentary in
Komnenian Byzantium Panagiotis A. Agapitos; 2. Forging identities between
Heaven and Earth: commentaries on Aristotle and authorial practices in
eleventh- and twelfth-century Byzantium Michele Trizio; 3. Cultural
appropriation and the performance of exegesis in John Tzetzes' scholia on
Aristophanes Aglae Pizzone; 4. Uncovering the literary sources of John
Tzetzes' Theogony Maria Tomadaki; 5. Odysseus the schedographer Valeria F.
Lovato; 6. Eustathios of Thessalonike on comedy and ridicule in Homeric
poetry Baukje van den Berg; 7. Geography at school: Eustathios of
Thessalonike's Parekbolai on Dionysius Periegetes Inmaculada Pérez Martín;
8. Painting and polyphony: the Christos Paschon as commentary Margaret
Mullett; 9. Parodying antiquity for pleasure and learning: the Idyll by
Maximos Planoudes Krystina Kubina; 10. Teaching poetry in the early
Palaiologan school: Manuel Holobolos' and John Pediasimos' commentaries on
Theocritus' Syrinx Paula Caballero Sánchez; 11. Late Byzantine scholia on
the Greek classics: what did they comment on? Manuel Moschopoulos on
Sophocles' Electra Andrea M. Cuomo; 12. Theodora Raoulaina's autograph
codex Vat. gr. 1899 and Aelius Aristides Fevronia Nousia; 13. The reception
of Eustathios of Thessalonike's Parekbolai in Arsenios Apostolis' and
Erasmus' paroemiographic collections Lorenzo M. Ciolfi.
Berg and Divna Manolova; 1. The politics and practices of commentary in
Komnenian Byzantium Panagiotis A. Agapitos; 2. Forging identities between
Heaven and Earth: commentaries on Aristotle and authorial practices in
eleventh- and twelfth-century Byzantium Michele Trizio; 3. Cultural
appropriation and the performance of exegesis in John Tzetzes' scholia on
Aristophanes Aglae Pizzone; 4. Uncovering the literary sources of John
Tzetzes' Theogony Maria Tomadaki; 5. Odysseus the schedographer Valeria F.
Lovato; 6. Eustathios of Thessalonike on comedy and ridicule in Homeric
poetry Baukje van den Berg; 7. Geography at school: Eustathios of
Thessalonike's Parekbolai on Dionysius Periegetes Inmaculada Pérez Martín;
8. Painting and polyphony: the Christos Paschon as commentary Margaret
Mullett; 9. Parodying antiquity for pleasure and learning: the Idyll by
Maximos Planoudes Krystina Kubina; 10. Teaching poetry in the early
Palaiologan school: Manuel Holobolos' and John Pediasimos' commentaries on
Theocritus' Syrinx Paula Caballero Sánchez; 11. Late Byzantine scholia on
the Greek classics: what did they comment on? Manuel Moschopoulos on
Sophocles' Electra Andrea M. Cuomo; 12. Theodora Raoulaina's autograph
codex Vat. gr. 1899 and Aelius Aristides Fevronia Nousia; 13. The reception
of Eustathios of Thessalonike's Parekbolai in Arsenios Apostolis' and
Erasmus' paroemiographic collections Lorenzo M. Ciolfi.
Introduction: Byzantine commentaries on ancient Greek texts Baukje van den
Berg and Divna Manolova; 1. The politics and practices of commentary in
Komnenian Byzantium Panagiotis A. Agapitos; 2. Forging identities between
Heaven and Earth: commentaries on Aristotle and authorial practices in
eleventh- and twelfth-century Byzantium Michele Trizio; 3. Cultural
appropriation and the performance of exegesis in John Tzetzes' scholia on
Aristophanes Aglae Pizzone; 4. Uncovering the literary sources of John
Tzetzes' Theogony Maria Tomadaki; 5. Odysseus the schedographer Valeria F.
Lovato; 6. Eustathios of Thessalonike on comedy and ridicule in Homeric
poetry Baukje van den Berg; 7. Geography at school: Eustathios of
Thessalonike's Parekbolai on Dionysius Periegetes Inmaculada Pérez Martín;
8. Painting and polyphony: the Christos Paschon as commentary Margaret
Mullett; 9. Parodying antiquity for pleasure and learning: the Idyll by
Maximos Planoudes Krystina Kubina; 10. Teaching poetry in the early
Palaiologan school: Manuel Holobolos' and John Pediasimos' commentaries on
Theocritus' Syrinx Paula Caballero Sánchez; 11. Late Byzantine scholia on
the Greek classics: what did they comment on? Manuel Moschopoulos on
Sophocles' Electra Andrea M. Cuomo; 12. Theodora Raoulaina's autograph
codex Vat. gr. 1899 and Aelius Aristides Fevronia Nousia; 13. The reception
of Eustathios of Thessalonike's Parekbolai in Arsenios Apostolis' and
Erasmus' paroemiographic collections Lorenzo M. Ciolfi.
Berg and Divna Manolova; 1. The politics and practices of commentary in
Komnenian Byzantium Panagiotis A. Agapitos; 2. Forging identities between
Heaven and Earth: commentaries on Aristotle and authorial practices in
eleventh- and twelfth-century Byzantium Michele Trizio; 3. Cultural
appropriation and the performance of exegesis in John Tzetzes' scholia on
Aristophanes Aglae Pizzone; 4. Uncovering the literary sources of John
Tzetzes' Theogony Maria Tomadaki; 5. Odysseus the schedographer Valeria F.
Lovato; 6. Eustathios of Thessalonike on comedy and ridicule in Homeric
poetry Baukje van den Berg; 7. Geography at school: Eustathios of
Thessalonike's Parekbolai on Dionysius Periegetes Inmaculada Pérez Martín;
8. Painting and polyphony: the Christos Paschon as commentary Margaret
Mullett; 9. Parodying antiquity for pleasure and learning: the Idyll by
Maximos Planoudes Krystina Kubina; 10. Teaching poetry in the early
Palaiologan school: Manuel Holobolos' and John Pediasimos' commentaries on
Theocritus' Syrinx Paula Caballero Sánchez; 11. Late Byzantine scholia on
the Greek classics: what did they comment on? Manuel Moschopoulos on
Sophocles' Electra Andrea M. Cuomo; 12. Theodora Raoulaina's autograph
codex Vat. gr. 1899 and Aelius Aristides Fevronia Nousia; 13. The reception
of Eustathios of Thessalonike's Parekbolai in Arsenios Apostolis' and
Erasmus' paroemiographic collections Lorenzo M. Ciolfi.