Broadway in the Box shines a TV light on the musical's jump from Broadway, Hollywood, and Vegas to the small screen, bringing events together to craft a commentary on industry, economics, and entertainment. Broadway was always in the box; someone just needed to see what was on.
Broadway in the Box shines a TV light on the musical's jump from Broadway, Hollywood, and Vegas to the small screen, bringing events together to craft a commentary on industry, economics, and entertainment. Broadway was always in the box; someone just needed to see what was on.
Kelly Kessler is Associate Professor of Communications at DePaul University and author of Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem (Palgrave, 2010)
Inhaltsangabe
* Introduction: Curtain Up on Primetime * Chapter 1: Small Screen Singalongs: Television's Infancy and the Cultural Cachet of the Great White Way * Chapter 2: "You Know, Carol, Comedy Variety's a Man's Game": Male Authorship, Female Performers, and Small Screen Musical Performance of the Sixties * Chapter 3: Sequins and Songs on the Small Screen: 1970s Television Variety and the Popularization of the "BroadVegas" Hybrid * Chapter 4: Quality and Class or Malls and Music Video: Early Cable Narrowcasts the Musical * Chapter 5: Primetime Goes Hammerstein: The Musicalization of Primetime Fictional Television in the Post-Network Era * Chapter 6: GLEEks of the Week, Stage Tube, and #racheldoesstuff: Social Media and the Hybridity of Broadway/Television Fandom and Promotion in the 21st Century Musical Series * Chapter 7: The Hills are Alive with Live-ness (or Not): The Uphill Battle for the Millennial Television Musical * Conclusion: Over the Rainbow, Across Screens, Online, or in your Roku Box
* Introduction: Curtain Up on Primetime * Chapter 1: Small Screen Singalongs: Television's Infancy and the Cultural Cachet of the Great White Way * Chapter 2: "You Know, Carol, Comedy Variety's a Man's Game": Male Authorship, Female Performers, and Small Screen Musical Performance of the Sixties * Chapter 3: Sequins and Songs on the Small Screen: 1970s Television Variety and the Popularization of the "BroadVegas" Hybrid * Chapter 4: Quality and Class or Malls and Music Video: Early Cable Narrowcasts the Musical * Chapter 5: Primetime Goes Hammerstein: The Musicalization of Primetime Fictional Television in the Post-Network Era * Chapter 6: GLEEks of the Week, Stage Tube, and #racheldoesstuff: Social Media and the Hybridity of Broadway/Television Fandom and Promotion in the 21st Century Musical Series * Chapter 7: The Hills are Alive with Live-ness (or Not): The Uphill Battle for the Millennial Television Musical * Conclusion: Over the Rainbow, Across Screens, Online, or in your Roku Box
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