British Women's Histories of the First World War
Representing, Remembering, Rewriting
Herausgeber: Fell, Alison; Andrews, Maggie; Noakes, Lucy; Purvis, June
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British Women's Histories of the First World War
Representing, Remembering, Rewriting
Herausgeber: Fell, Alison; Andrews, Maggie; Noakes, Lucy; Purvis, June
- Broschiertes Buch
This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. This book was originally published as a special issue of Womenâ s History Review.
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This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. This book was originally published as a special issue of Womenâ s History Review.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 144
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 175mm x 245mm x 12mm
- Gewicht: 268g
- ISBN-13: 9781032085913
- ISBN-10: 1032085916
- Artikelnr.: 62149874
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 144
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 175mm x 245mm x 12mm
- Gewicht: 268g
- ISBN-13: 9781032085913
- ISBN-10: 1032085916
- Artikelnr.: 62149874
Maggie Andrews is Professor of Cultural History at the University of Worcester, UK. Her research and publications explore domesticity and femininity in twentieth century Britain with a particular focus on the Home Front in both the First and Second World Wars, including The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (edited with Janis Lomas, 2014). Alison Fell is Professor of French Cultural History at the University of Leeds, UK. She has published widely on British and French women's responses to, and experiences in, the First World War, including Women as Veterans in Britain and France after the First World War (2018). Lucy Noakes is the Rab Butler Professor of Modern History at the University of Essex, UK. She researches and publishes in the fields of war, gender, memory, and national identity, with a particular interest in twentieth century Britain. June Purvis is Professor Emerita of Women's and Gender History at the University of Portsmouth, UK. She has published widely on women's education in nineteenth century Britain, and especially on the suffragette movement in Edwardian Britain, including the acclaimed Emmeline Pankhurst: a biography (2002), and Christabel Pankhurst: a biography (2018).
1. Introduction: Representing, Remembering and Rewriting Women's Histories
of the First World War 2. The Carer, the Combatant and the Clandestine:
images of women in the First World War in War Illustrated magazine 3.
Suffragettes and the Scottish Press during the First World War 4.
Antimilitarism, Citizenship and Motherhood: the formation and early years
of the Women's International League (WIL), 1915-1919 5. 'Giddy Girls',
'Scandalous Statements' and a 'Burst Bubble': the war babies panic of
1914-1915 6. 'A Matter of Individual Opinion and Feeling': The changing
culture of mourning dress in the First World War 7. Gendered musical
responses to First World War experiences 8. 'My Husband is Interested in
War Generally': gender, family history and the emotional legacies of total
war 9. What the Women Did: remembering or reducing women of the First World
War on the contemporary British stage
of the First World War 2. The Carer, the Combatant and the Clandestine:
images of women in the First World War in War Illustrated magazine 3.
Suffragettes and the Scottish Press during the First World War 4.
Antimilitarism, Citizenship and Motherhood: the formation and early years
of the Women's International League (WIL), 1915-1919 5. 'Giddy Girls',
'Scandalous Statements' and a 'Burst Bubble': the war babies panic of
1914-1915 6. 'A Matter of Individual Opinion and Feeling': The changing
culture of mourning dress in the First World War 7. Gendered musical
responses to First World War experiences 8. 'My Husband is Interested in
War Generally': gender, family history and the emotional legacies of total
war 9. What the Women Did: remembering or reducing women of the First World
War on the contemporary British stage
1. Introduction: Representing, Remembering and Rewriting Women's Histories
of the First World War 2. The Carer, the Combatant and the Clandestine:
images of women in the First World War in War Illustrated magazine 3.
Suffragettes and the Scottish Press during the First World War 4.
Antimilitarism, Citizenship and Motherhood: the formation and early years
of the Women's International League (WIL), 1915-1919 5. 'Giddy Girls',
'Scandalous Statements' and a 'Burst Bubble': the war babies panic of
1914-1915 6. 'A Matter of Individual Opinion and Feeling': The changing
culture of mourning dress in the First World War 7. Gendered musical
responses to First World War experiences 8. 'My Husband is Interested in
War Generally': gender, family history and the emotional legacies of total
war 9. What the Women Did: remembering or reducing women of the First World
War on the contemporary British stage
of the First World War 2. The Carer, the Combatant and the Clandestine:
images of women in the First World War in War Illustrated magazine 3.
Suffragettes and the Scottish Press during the First World War 4.
Antimilitarism, Citizenship and Motherhood: the formation and early years
of the Women's International League (WIL), 1915-1919 5. 'Giddy Girls',
'Scandalous Statements' and a 'Burst Bubble': the war babies panic of
1914-1915 6. 'A Matter of Individual Opinion and Feeling': The changing
culture of mourning dress in the First World War 7. Gendered musical
responses to First World War experiences 8. 'My Husband is Interested in
War Generally': gender, family history and the emotional legacies of total
war 9. What the Women Did: remembering or reducing women of the First World
War on the contemporary British stage