This is the first book to provide a direct and comprehensive account of British art cinema. It brings together original essays arguing that British filmmakers have a long tradition of experiment and artistry, both within and beyond the mainstream.
This is the first book to provide a direct and comprehensive account of British art cinema. It brings together original essays arguing that British filmmakers have a long tradition of experiment and artistry, both within and beyond the mainstream.
Paul Newland is REF Manager at Bath Spa University Brain Hoyle is Senior Lecturer in Film Studies at the University of Dundee
Inhaltsangabe
Introduction: British art cinema: creativity, experimentation and innovation Paul Newland and Brian Hoyle 1 'Art cinema', 1920s British film culture: Alfred Hitchcock and Anthony Asquith Tom Ryall 2 Humphrey Jennings: of images, poetry and Pandaemonium Owen Evans 3 Out of the war, on with the arts: cultural politics and art films in post war Britain Katerina Loukopoulou 4 Attitudes towards experiment in British cinema: the amateur art films of Enrico Cocozza Ryan Shand 5 Art cinema, British production and the 1960s Duncan Petrie 6 Happy accident: the symbiosis of Joseph Losey and Harold Pinter Peter Jameson 7 The parameters of British art cinema: a case study of John Krish Robert Shail 8 The reputation of Nicolas Roeg Paul Newland 9 'As the first black face on the scene, I had to push the doors open': Horace Ové and Pressure (1975) Sally Shaw 10 Art cinema and the British poetic realist tradition David Forrest 11 The third avant garde: Black Audio Film Collective and Latin America Paul Elliott 12 The rise of British art cinema in the 1980s John Hill 13 Derek Jarman, trance films and medieval art cinema Jo George 14 Twin traditions: the biopic and the composed film in British art cinema Brian Hoyle 15 Don Boyd and the business of art cinema Phil Wickham 16 Shakespearean film as art cinema: Stage Beauty as a cerebral retort to Hollywood Sarah Martindale 17 Boundary crossings and inter subjective imaginings: Sarah Turner's Perestroika Kim Knowles Index
Introduction: British art cinema: creativity, experimentation and innovation Paul Newland and Brian Hoyle 1 'Art cinema', 1920s British film culture: Alfred Hitchcock and Anthony Asquith Tom Ryall 2 Humphrey Jennings: of images, poetry and Pandaemonium Owen Evans 3 Out of the war, on with the arts: cultural politics and art films in post war Britain Katerina Loukopoulou 4 Attitudes towards experiment in British cinema: the amateur art films of Enrico Cocozza Ryan Shand 5 Art cinema, British production and the 1960s Duncan Petrie 6 Happy accident: the symbiosis of Joseph Losey and Harold Pinter Peter Jameson 7 The parameters of British art cinema: a case study of John Krish Robert Shail 8 The reputation of Nicolas Roeg Paul Newland 9 'As the first black face on the scene, I had to push the doors open': Horace Ové and Pressure (1975) Sally Shaw 10 Art cinema and the British poetic realist tradition David Forrest 11 The third avant garde: Black Audio Film Collective and Latin America Paul Elliott 12 The rise of British art cinema in the 1980s John Hill 13 Derek Jarman, trance films and medieval art cinema Jo George 14 Twin traditions: the biopic and the composed film in British art cinema Brian Hoyle 15 Don Boyd and the business of art cinema Phil Wickham 16 Shakespearean film as art cinema: Stage Beauty as a cerebral retort to Hollywood Sarah Martindale 17 Boundary crossings and inter subjective imaginings: Sarah Turner's Perestroika Kim Knowles Index
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