British Art and the Environment
Changes, Challenges, and Responses Since the Industrial Revolution
Herausgeber: Gould, Charlotte; Mesplede, Sophie
British Art and the Environment
Changes, Challenges, and Responses Since the Industrial Revolution
Herausgeber: Gould, Charlotte; Mesplede, Sophie
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This book explores the nature of Britain-based artistsâ engagement with the transformations of their environment since the early days of the Industrial Revolution.
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This book explores the nature of Britain-based artistsâ engagement with the transformations of their environment since the early days of the Industrial Revolution.
Produktdetails
- Produktdetails
- British Art: Histories and Interpretations since 1700
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 244
- Erscheinungstermin: 22. Juli 2021
- Englisch
- Abmessung: 178mm x 308mm x 19mm
- Gewicht: 732g
- ISBN-13: 9780367566487
- ISBN-10: 0367566486
- Artikelnr.: 62223944
- British Art: Histories and Interpretations since 1700
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 244
- Erscheinungstermin: 22. Juli 2021
- Englisch
- Abmessung: 178mm x 308mm x 19mm
- Gewicht: 732g
- ISBN-13: 9780367566487
- ISBN-10: 0367566486
- Artikelnr.: 62223944
Charlotte Gould is Senior Lecturer in British contemporary art at Sorbonne Nouvelle, France. Sophie Mesplède is Senior Lecturer in eighteenth-century British art at the University of Rennes 2, France.
PART 1 From the Claude Glass to Drones: Framing Environmental Encounters 1
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
PART 1 From the Claude Glass to Drones: Framing Environmental Encounters 1
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"