Jean-Thomas Tremblay examines the prominence of breathing in responses to contemporary crises within literature, film, and performance cultures, showing how breathing has emerged as a medium through which biopolitical and necropolitical forces are increasingly exercised and experienced.
Jean-Thomas Tremblay examines the prominence of breathing in responses to contemporary crises within literature, film, and performance cultures, showing how breathing has emerged as a medium through which biopolitical and necropolitical forces are increasingly exercised and experienced.
Jean-Thomas Tremblay is Assistant Professor of Environmental Humanities in the Department of Humanities at York University and coeditor of Avant-Gardes in Crisis: Art and Politics in the Long 1970s.
Inhaltsangabe
Acknowledgments ix Introduction: Ecologies of the Particular 1 1. Breathing against Nature 33 2. Aesthetic Self-Medication (Three Regimens) 65 3. Feminist Breathing 94 4. Smog Sensing 113 5. Death in the Form of Life 139 Coda: A Queer Theory of Benign Respiratory Variations 158 Notes 163 Bibliography 197 Index 221
Acknowledgments ix Introduction: Ecologies of the Particular 1 1. Breathing against Nature 33 2. Aesthetic Self-Medication (Three Regimens) 65 3. Feminist Breathing 94 4. Smog Sensing 113 5. Death in the Form of Life 139 Coda: A Queer Theory of Benign Respiratory Variations 158 Notes 163 Bibliography 197 Index 221
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