"This is a powerful gem of a book. Atkins's mixing of voices is wonderful and his scholarship impressive. Moreover, his complex argument is communicated in language that is straightforward, engaging, and compelling."--Christine Yano, University of Hawaii, Manoa
"This is a powerful gem of a book. Atkins's mixing of voices is wonderful and his scholarship impressive. Moreover, his complex argument is communicated in language that is straightforward, engaging, and compelling."--Christine Yano, University of Hawaii, Manoa
E. Taylor Atkins is Associate Professor of History at Northern Illinois University.
Inhaltsangabe
List of Illustrations Acknowledgments Prelude: Plenty Plenty Soul 1. The Japanese Jazz Artist and the Authenticity Complex 2. The Soundtrack of Modern Life: Japan’s Jazz Revolution 3. Talkin’ Jazz: Music, Modernism, and Interwar Japan’s Culture Wars 4. “Jazz for the Country’s Sake”: Toward a New Cultural Order in Wartime Japan 5. Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan 6. Our Thing: Defining “Japanese Jazz” Postlude: J-Jazz and the Fin de Siecle Blues Notes References Discography Index
List of Illustrations Acknowledgments Prelude: Plenty Plenty Soul 1. The Japanese Jazz Artist and the Authenticity Complex 2. The Soundtrack of Modern Life: Japan’s Jazz Revolution 3. Talkin’ Jazz: Music, Modernism, and Interwar Japan’s Culture Wars 4. “Jazz for the Country’s Sake”: Toward a New Cultural Order in Wartime Japan 5. Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan 6. Our Thing: Defining “Japanese Jazz” Postlude: J-Jazz and the Fin de Siecle Blues Notes References Discography Index
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