Debunks stereotypes about blindness, in which readers, receivers and spectators from antiquity to the present have been implicated because their persistence relies on audiences to perpetuate them. Argues for a new way of seeing â and of understanding classical reception - using assemblage-thinking and with a focus on the theatre.
Debunks stereotypes about blindness, in which readers, receivers and spectators from antiquity to the present have been implicated because their persistence relies on audiences to perpetuate them. Argues for a new way of seeing â and of understanding classical reception - using assemblage-thinking and with a focus on the theatre.
MARCHELLA WARD is Lecturer in Classical Studies at the Open University. Until recently she was the Access Fellow at Worcester College, Oxford. She also co-convenes the Critical Ancient World Studies collective, and writes frequently for non-specialists and also for children.
Inhaltsangabe
Introduction: Looking and Looking Back 1. Towards Visual Activism 2. Blindness and / as Punishment 3. Blindness as Metaphorical Death 4. Blindness as Second Sight Interlude: Colonial Visions 5. Blindness and Spectatorship Conclusion: Assembling the Future.
Introduction: Looking and Looking Back 1. Towards Visual Activism 2. Blindness and / as Punishment 3. Blindness as Metaphorical Death 4. Blindness as Second Sight Interlude: Colonial Visions 5. Blindness and Spectatorship Conclusion: Assembling the Future.
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