Naomi Andr¿s an associate professor in the departments of African and Afroamerican Studies and Women's Studies. She also is associate director in the Residential College at the University of Michigan. She is the author of Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera and coeditor of Blackness in Opera.
Naomi Andr¿s an associate professor in the departments of African and Afroamerican Studies and Women's Studies. She also is associate director in the Residential College at the University of Michigan. She is the author of Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera and coeditor of Blackness in Opera.
Naomi André is an associate professor in the departments of African and Afroamerican Studies and Women's Studies. She also is associate director in the Residential College at the University of Michigan. She is the author of Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera and coeditor of Blackness in Opera.
Inhaltsangabe
Title Copyright Contents Acknowledgments 1Engaged Opera 2Black Opera across the Atlantic: Writing Black Music History and Opera's Unusual Place 3Haunted Legacies: Interracial Secrets From the Diary of Sally Hemings 4Contextualizing Race and Gender in Gershwin's Porgy and Bess 5Carmen: From Nineteenth-Century France to Settings in the United States and South Africa in the 6Winnie, Opera, and South African Artistic Nationhood Conclusion: Engaged Musicology, Political Action, and Social Justice Notes Bibliography Index
Title Copyright Contents Acknowledgments 1Engaged Opera 2Black Opera across the Atlantic: Writing Black Music History and Opera's Unusual Place 3Haunted Legacies: Interracial Secrets From the Diary of Sally Hemings 4Contextualizing Race and Gender in Gershwin's Porgy and Bess 5Carmen: From Nineteenth-Century France to Settings in the United States and South Africa in the 6Winnie, Opera, and South African Artistic Nationhood Conclusion: Engaged Musicology, Political Action, and Social Justice Notes Bibliography Index
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