Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
Ed Sarath is professor of music at the University of Michigan, director of the U-M Program in Creativity and Consciousness Studies, and is active worldwide as a performer, composer, recording artist, and scholar. He is founder and president of the International Society for Improvised Music and is lead author of the widely read CMS Manifesto, which appears in the coauthored book Redesigning Music Studies in an Age of Change.
Inhaltsangabe
Introduction Part I: JAZZ AND THE CREATIVITY TURN Chapter 1: Creativity as New Organizing Principle Chapter 2: Multiculturalism, Transculturalism, and Race Chapter 3: Music School for a Transcultural Age Chapter 4: Conversations with Conservatives Part II: JAZZ AND THE INTEGRAL REVOLUTION Chapter 5: What Is Consciousness? A Jazz-inspired Integral Perspective Chapter 6: What Is Improvisation? An Integral, Consciousness-based Perspective Chapter 7: Jazz And The Integral Revolution
Introduction Part I: JAZZ AND THE CREATIVITY TURN Chapter 1: Creativity as New Organizing Principle Chapter 2: Multiculturalism, Transculturalism, and Race Chapter 3: Music School for a Transcultural Age Chapter 4: Conversations with Conservatives Part II: JAZZ AND THE INTEGRAL REVOLUTION Chapter 5: What Is Consciousness? A Jazz-inspired Integral Perspective Chapter 6: What Is Improvisation? An Integral, Consciousness-based Perspective Chapter 7: Jazz And The Integral Revolution
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