Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
Anna Arabindan-Kesson is Assistant Professor of Black Diaspora Art at Princeton University.
Inhaltsangabe
Acknowledgments vii Illustrations xv Introduction: Threads of Empire 1 1. Circuits of Cotton 29 2. Market Aesthetics: Color, Cloth, and Commerce 67 3. Of Vision and Value: Landscape and Labor after Slavery 121 4. Material Histories and Speculative Conditions 171 Coda: A Material with Memory 203 Notes 213 Bibliography 247 Index 285
Acknowledgments vii Illustrations xv Introduction: Threads of Empire 1 1. Circuits of Cotton 29 2. Market Aesthetics: Color, Cloth, and Commerce 67 3. Of Vision and Value: Landscape and Labor after Slavery 121 4. Material Histories and Speculative Conditions 171 Coda: A Material with Memory 203 Notes 213 Bibliography 247 Index 285
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