In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider such topics as what a Black film tradition might be, the relation between Black American Filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of Black imaginary.
In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider such topics as what a Black film tradition might be, the relation between Black American Filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of Black imaginary.
Manthia Diawara is Professor of English at the University of Pennsylvania.
Inhaltsangabe
Part 1 Black Aesthetics Chapter 1 Black American Cinema, Manthia Diawara Chapter 2 "Twoness" In the Style of Oscar Micheaux, J. Ronald Green Chapter 3 Fire and Desire, Jane Gaines Chapter 4 Oscar Micheaux, Thomas Cripps Chapter 5 The Black Writer in Hollywood, Circa 1930, Phyllis Klotman Chapter 6 Is Car Wash a Musical?, Richard Dyer Chapter 7 The Los Angeles School of Black Filmmakers, Ntongela Masilela Chapter 8 Reading the Signs, Empowering the Eye, Toni Cade Bambara Chapter 9 Spike Lee at the Movies, Amiri Baraka Chapter 10 Spike Lee and the Commerce of Culture, Houston A. Jr. Baker Chapter 11 The Ironies of Palace-Subaltern Discourse, Clyde Taylor Chapter 12 Looking for Modernism, Henry Louis Jr. Gates Part 2 Black Spectatorship Chapter 13 Black Spectatorship, Manthia Diawara Chapter 14 The Harlem Theater, Dan Streible Chapter 15 The Black Image in Protective Custody, Ed Guerrero Chapter 16 The Construction of Black Sexuality, Jacquie Jones Chapter 17 Race, Gender and Psychoanalysis in Forties Film, Michele Wallace Chapter 18 Reading through the Text, Jacqueline Bobo Chapter 19 The Oppositional Gaze, Bell Hooks
Part 1 Black Aesthetics Chapter 1 Black American Cinema, Manthia Diawara Chapter 2 "Twoness" In the Style of Oscar Micheaux, J. Ronald Green Chapter 3 Fire and Desire, Jane Gaines Chapter 4 Oscar Micheaux, Thomas Cripps Chapter 5 The Black Writer in Hollywood, Circa 1930, Phyllis Klotman Chapter 6 Is Car Wash a Musical?, Richard Dyer Chapter 7 The Los Angeles School of Black Filmmakers, Ntongela Masilela Chapter 8 Reading the Signs, Empowering the Eye, Toni Cade Bambara Chapter 9 Spike Lee at the Movies, Amiri Baraka Chapter 10 Spike Lee and the Commerce of Culture, Houston A. Jr. Baker Chapter 11 The Ironies of Palace-Subaltern Discourse, Clyde Taylor Chapter 12 Looking for Modernism, Henry Louis Jr. Gates Part 2 Black Spectatorship Chapter 13 Black Spectatorship, Manthia Diawara Chapter 14 The Harlem Theater, Dan Streible Chapter 15 The Black Image in Protective Custody, Ed Guerrero Chapter 16 The Construction of Black Sexuality, Jacquie Jones Chapter 17 Race, Gender and Psychoanalysis in Forties Film, Michele Wallace Chapter 18 Reading through the Text, Jacqueline Bobo Chapter 19 The Oppositional Gaze, Bell Hooks
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