Nicholas Sammond argues that early cartoons are a key components to blackface minstrelsy and that cartoon characters such as Mickey Mouse and Felix the Cat are not like minstrels, but are minstrels. Cartoons have played on racial anxieties, naturalized racial formations, committed symbolic racial violence, and help perpetuate blackface minstrelsy.
Nicholas Sammond argues that early cartoons are a key components to blackface minstrelsy and that cartoon characters such as Mickey Mouse and Felix the Cat are not like minstrels, but are minstrels. Cartoons have played on racial anxieties, naturalized racial formations, committed symbolic racial violence, and help perpetuate blackface minstrelsy.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. He is the author of Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-60, and the editor of Steel Chair to the Head: Essays on Professional Wrestling, both also published by Duke University Press.
Inhaltsangabe
Note on the Companion Website ix Acknowledgments xi Introduction. Biting the Invisible Hand 1 1. Performance 33 2. Labor 87 3. Space 135 4. Race 203 Conclusion. The "New" Blackface 267 Notes 307 Bibliography 351 Index 365
Note on the Companion Website ix Acknowledgments xi Introduction. Biting the Invisible Hand 1 1. Performance 33 2. Labor 87 3. Space 135 4. Race 203 Conclusion. The "New" Blackface 267 Notes 307 Bibliography 351 Index 365
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