Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation.
Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation.
Acknowledgments ix Introduction: Scale, the Cinematic Image, and the Negotiation of Space 1 Part I. Close-Up/Face 1. The Delirium of a Minimal Unit 29 2. The Cinematic Manufacture of Scale, or Historical Vicissitudes of the Close-Up 53 3. At Face Value 89 Part II. Scale/Screen 4. Screens, Female Faces, and Modernities 135 5. The Location of the Image: Projection, Perspective, and Scale 189 6. The Concept of Immersion: Mediated Space, Media Space, and the Location of the Subject 239 Notes 283 Bibliography 325 Index 343
Acknowledgments ix Introduction: Scale, the Cinematic Image, and the Negotiation of Space 1 Part I. Close-Up/Face 1. The Delirium of a Minimal Unit 29 2. The Cinematic Manufacture of Scale, or Historical Vicissitudes of the Close-Up 53 3. At Face Value 89 Part II. Scale/Screen 4. Screens, Female Faces, and Modernities 135 5. The Location of the Image: Projection, Perspective, and Scale 189 6. The Concept of Immersion: Mediated Space, Media Space, and the Location of the Subject 239 Notes 283 Bibliography 325 Index 343
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