Big Bumper Book of Troy - Herbert, W. N.
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The northern word for hometown, 'toon', flickers in meaning between 'tune' and 'cartoon'. In Bill Herbert's big bumper book, the title toon is Troy: the first lost home. Exiled to a lighthouse on the River Tyne, the wily Scots maestro has written a book in love with lost and difficult things. Sometimes reflective, sometimes subversively mischievous, he registers or rails against displacement and resettlement, lamenting the passing of relatives, cities, furniture, and the odd lemur. Plugged in to the poetry zeitgeist as ever, Herbert has revived a medieval publishing craze: the Troybook.…mehr

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Produktbeschreibung
The northern word for hometown, 'toon', flickers in meaning between 'tune' and 'cartoon'. In Bill Herbert's big bumper book, the title toon is Troy: the first lost home. Exiled to a lighthouse on the River Tyne, the wily Scots maestro has written a book in love with lost and difficult things. Sometimes reflective, sometimes subversively mischievous, he registers or rails against displacement and resettlement, lamenting the passing of relatives, cities, furniture, and the odd lemur. Plugged in to the poetry zeitgeist as ever, Herbert has revived a medieval publishing craze: the Troybook. Painstaking excavation of old comics establishes that the original site of Troytoon is Dundee. Or Madrid. Or possibly St Petersburg. The search for traces of Troy leads to Donegal, Crete, and, at the heart of his grand tour, a vivid verse journal set in post-perestroika Moscow. Dust off your highest brow and fasten your seatbelt, we're flying Economy to Byzantium. The Big Bumper Book of Troy is driven by sudden shifts of register - English to Scots, free verse to antique stanza, page to performance, narrative to lyric. Everything has become a dialect, yet - cheekily borrowing the Russian composer Schnittke's term - Herbert aims at a disrespectful polystylist unity. It is his most unorthodox rebellion yet against the dictatorship of the slim volume. A riot of colourful humour, a revolution in poetic taste.
Autorenporträt
W.N. [Bill] Herbert is a highly versatile poet who writes both in English and Scots. Born in Dundee, he established his reputation with two English/Scots collections from Bloodaxe, Forked Tongue (1994) and Cabaret McGonagall (1996), followed by The Laurelude (1998), The Big Bumper Book of Troy (2002), Bad Shaman Blues (2006) and Omnesia (2013). His lastest collection, The Wreck of the Fatherland, is due from Bloodaxe in 2020. He has also published a critical study, To Circumjack MacDiarmid (OUP, 1992) drawn from his PhD research. His practical guide Writing Poetry was published by Routledge in 2010. He co-edited Strong Words: modern poets on modern poetry (Bloodaxe Books, 2000) with Matthew Hollis, and Jade Ladder: Contemporary Chinese Poetry (Bloodaxe Books, 2012) with Yang Lian. Bill Herbert is Professor of Poetry and Creative Writing at Newcastle University and lives in a lighthouse overlooking the River Tyne at North Shields. He was appointed Dundee's first Makar in 2013. Twice shortlisted for the T.S. Eliot Prize, his collections have also been shortlisted for the Forward Prize, McVities Prize, Saltire Awards and Saltire Society Scottish Book of the Year Award. Four are Poetry Book Society Recommendations. In 2014 he was awarded a Cholmondeley Prize for his poetry, and an honorary doctorate from Dundee University. In 2015 he became a Fellow of the Royal Society of Literature.