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"Stefan Zweig was a dark and unorthodox artist; it's good to have him back."--Salman Rushdie The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young…mehr

Produktbeschreibung
"Stefan Zweig was a dark and unorthodox artist; it's good to have him back."--Salman Rushdie The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health.
Autorenporträt
STEPHAN ZWEIG (1881-1942) spent his youth studying philosophy and the history of literature in Vienna and belonged to a pan-European cultural circle that included Hugo von Hofmannsthal and Richard Strauss. 1n 1934, under National Socialism, Zweig fled Austria for England, where he authored several novels, short stories, and biographies. In 1941 Zweig and his second wife traveled to Brazil, where they both committed suicide. New York Review Books recently republished his novel, Chess Story, in Fall 2005. JOAN ACOCELLA is a staff writer for The New Yorker and contributes regularly to the New York Review of Books. Her latest books is Willa Cather and the Politics of Criticism.