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This book offers a rich introduction to the life and work of art dealer Berthe Weill—the risk-taking, rule-breaking facilitator of the modernist art movement in Paris. > The exhibition, coorganized by New York University's Grey Art Gallery, the Montreal Museum of Fine Arts, and the Musée de l'Orangerie, features some eighty artworks that were originally displayed at her gallery during the first four decades of the twentieth century.

Produktbeschreibung
This book offers a rich introduction to the life and work of art dealer Berthe Weill—the risk-taking, rule-breaking facilitator of the modernist art movement in Paris. > The exhibition, coorganized by New York University's Grey Art Gallery, the Montreal Museum of Fine Arts, and the Musée de l'Orangerie, features some eighty artworks that were originally displayed at her gallery during the first four decades of the twentieth century.
Autorenporträt
Lynn Gumpert is director of New York University's Grey Art Museum. Marianne Le Morvan is director and founder of the Berthe Weill archives. Anne Grace is curator of modern art at the Montreal Museum of Fine Arts. Stéphane Aquin is director of the Montreal Museum of Fine Arts. Claire Bernardi is director of the Musée de l'Orangerie in Paris. Robert Parker is an independent art scholar. Charles Dellheim, professor of history and Jewish studies at Boston University, is author of Belonging and Betrayal: How Jews Made the Art World Modern. Sophie Eloy is a curator and head of documentation and archives at the Musée de l'Orangerie in Paris. Kirstin Pai Buick is director of Africana studies at The University of New Mexico. Ambre Gauthier is an art historian and independent curator.