First published in 1999, this volume examines in detail those court entertainments which contributed significantly to the masques' evolution and development in relation to Jonson's poetry and dramatic works, revealing some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques.
First published in 1999, this volume examines in detail those court entertainments which contributed significantly to the masques' evolution and development in relation to Jonson's poetry and dramatic works, revealing some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques.
1. Introduction. 2. 'Free from servile flattery': Panegyric and the Formation of the Antimasque. 3. Arthur and Augustus: masque and the historical myth. 4. Present Occasions and Removed Mysteries: the Topicality of the Antimasque. 5. Jonson's Consuming Satire and the Carnivalesque Antimasque. 6. Heavenly Love and the Collapse of the Court Masque. 7. Postscript.
1. Introduction. 2. 'Free from servile flattery': Panegyric and the Formation of the Antimasque. 3. Arthur and Augustus: masque and the historical myth. 4. Present Occasions and Removed Mysteries: the Topicality of the Antimasque. 5. Jonson's Consuming Satire and the Carnivalesque Antimasque. 6. Heavenly Love and the Collapse of the Court Masque. 7. Postscript.
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