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Erscheint vorauss. 25. Juni 2024
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Hannah always finds a way to get what she wants. Daughter to Chloe Cartwright, an eccentric prize-winning writer more interested in politics than parenthood, and sister to a rugby-star brother, Hannah has never excelled at much besides shoplifting. Discovering a talent for petty crime, she steals what she needs to fit in with her wealthier school friends, while at home, her mother's sporadic paychecks often mean an empty fridge. As an adult, Hannah falls, almost by chance, into a successful career as partner to one of South Africa's leading chefs. But the universe has a dark sense of humor.…mehr

Produktbeschreibung
Hannah always finds a way to get what she wants. Daughter to Chloe Cartwright, an eccentric prize-winning writer more interested in politics than parenthood, and sister to a rugby-star brother, Hannah has never excelled at much besides shoplifting. Discovering a talent for petty crime, she steals what she needs to fit in with her wealthier school friends, while at home, her mother's sporadic paychecks often mean an empty fridge. As an adult, Hannah falls, almost by chance, into a successful career as partner to one of South Africa's leading chefs. But the universe has a dark sense of humor. When her mother's increasingly erratic behavior forces Hannah home again, she finds herself in a bizarre role reversal, caring for the mother who never had time to care for her. As she searches for ways- both conventional and radical- to ease Chloe's suffering, past and present blur.
Autorenporträt
Barbara Erasmus is a writer and journalist living in Cape Town. Having grown up in Zimbabwe, she spent twenty-five nomadic years following her husband’s career, which sparked an award-winning career in travel writing. Barbara has published three novels in South Africa: Kaleidoscope  (Penguin, 2004), nominated for the Commonwealth Best First Novel; Even with Insects (Penguin, 2005); and Below Luck Level (Penguin, 2012). Her crime novel, Chameleon, was published in installments on the blog Crime Beat , which she edited for three years. This is her North American debut.