Schmitt demonstrates that the commedia dell’arte relied as much on craftsmanship as on improvisation and that Scala’s scenarios are a treasure trove of social commentary on early modern daily life in Italy.
Schmitt demonstrates that the commedia dell’arte relied as much on craftsmanship as on improvisation and that Scala’s scenarios are a treasure trove of social commentary on early modern daily life in Italy.
Natalie Schmitt is Professor Emerita of Theatre and of English at the University of Illinois at Chicago.
Inhaltsangabe
List of Illustrations Preface Part One: Context, Culture, and Aesthetics 1. Befriending the Text 2. Character Relationships 3. The Setting and Life in the Street 4. Invention Part Two: Scenario Reconstructions Method 1. Day 6: The Jealous Old Man 2. Day 21: The Fake Sorcerer 3. Day 25: The Jealous Isabella 4. Day 36: Isabella [the] Astrologer Conclusion Appendix: List of All Scala Scenarios Notes Selected Bibliography Index
List of Illustrations Preface Part One: Context, Culture, and Aesthetics 1. Befriending the Text 2. Character Relationships 3. The Setting and Life in the Street 4. Invention Part Two: Scenario Reconstructions Method 1. Day 6: The Jealous Old Man 2. Day 21: The Fake Sorcerer 3. Day 25: The Jealous Isabella 4. Day 36: Isabella [the] Astrologer Conclusion Appendix: List of All Scala Scenarios Notes Selected Bibliography Index
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