Dr Jon Hackett is a senior lecturer in film and screen media at St Mary's University. His research interests include film and cultural theory, film history and popular music. He is currently working on a monograph with Dr Mark Duffett of Chester University on popular music and monstrosity, to be entitled, inevitably, Scary Monsters. Dr Se¿J. Harrington is a lecturer in film and screen media at St Mary's University. His research interests include Lacanian psychoanalysis, animation and popular culture. He has previously published work on animation and psychoanalytic theory and is the author of The Disney Fetish.…mehr
Dr Jon Hackett is a senior lecturer in film and screen media at St Mary's University. His research interests include film and cultural theory, film history and popular music. He is currently working on a monograph with Dr Mark Duffett of Chester University on popular music and monstrosity, to be entitled, inevitably, Scary Monsters. Dr Se¿J. Harrington is a lecturer in film and screen media at St Mary's University. His research interests include Lacanian psychoanalysis, animation and popular culture. He has previously published work on animation and psychoanalytic theory and is the author of The Disney Fetish.
Dr Jon Hackett is a senior lecturer in film and screen media at St Mary's University. His research interests include film and cultural theory, film history and popular music. He is currently working on a monograph with Dr Mark Duffett of Chester University on popular music and monstrosity, to be entitled, inevitably, Scary Monsters. Dr Seán J. Harrington is a lecturer in film and screen media at St Mary's University. His research interests include Lacanian psychoanalysis, animation and popular culture. He has previously published work on animation and psychoanalytic theory and is the author of The Disney Fetish.
Inhaltsangabe
Part 1: Folklore and Weird Tales "From Beneath the Waves": Sea-Draugr and the Popular Conscience - Alexander Hay The Depths of our Experience: Thalassophobia and the Lovecraftian Horror - Seán J. Harrington From Depths of Terror to Depths of Wonder: The Sublime in Lovecraft's Call of Cthulhu and Cameron's The Abyss - Vivan Joseph "Is there sound in the deep?": Representation and resonance in radio dramatisations of The Kraken Wakes - Farokh Soltani Part 2: Depths of Desire Beauty and the Octopus: Cephalopods as Sexualized Monsters - Marco Carbone The Octopussy: Exploring Representations of Female Sexuality and Animality in Victor Hugo's The Toilers of the Sea (1866) and The Laughing Man (1868) - Laura Ettenfield Transformations of Desire in The Life Aquatic (2004) - Pete Fossey Psychedelic Deep Blues: Jimi Hendrix's, 1983 (A Merman I Should Turn to be ) (1968), Tim Buckley's, Song of the Siren (1968) and Captain Beefheart's, Grow Fins (1972) - Richard Mills Part 3: Aquatic Spaces and Practices Fan Totems: Affective Investments in the Sea Creatures of Horror and Science Fiction - Brigid Cherry Mermaid Spotting: the rise of mermaiding in popular culture - Maria Mellins Journeys in Liquid Space: Representations of the Sea in Disney Theme Parks- Lee Brooks Rivers of blood, Sea of bodies: An analysis of recent media coverage of migration and trafficking on the High Seas - Carole Murphy Part 4: Screening Sea Creatures Becoming the Shark and/vs. Controlling the Shark: Jaws Unleashed, the Animal Avatar, and Human-Animal Relationships - Michael Fuchs Songs of the Sea: Sea Beasts and Maritime Folklore in Global Animation - Mark Fryers Jurassic World's Mosasaurus as the saviour of the classic cinema blockbuster - Damian O'Byrne Nessie Has Risen from the Grave - Ian Hunter
Part 1: Folklore and Weird Tales "From Beneath the Waves": Sea-Draugr and the Popular Conscience - Alexander Hay The Depths of our Experience: Thalassophobia and the Lovecraftian Horror - Seán J. Harrington From Depths of Terror to Depths of Wonder: The Sublime in Lovecraft's Call of Cthulhu and Cameron's The Abyss - Vivan Joseph "Is there sound in the deep?": Representation and resonance in radio dramatisations of The Kraken Wakes - Farokh Soltani Part 2: Depths of Desire Beauty and the Octopus: Cephalopods as Sexualized Monsters - Marco Carbone The Octopussy: Exploring Representations of Female Sexuality and Animality in Victor Hugo's The Toilers of the Sea (1866) and The Laughing Man (1868) - Laura Ettenfield Transformations of Desire in The Life Aquatic (2004) - Pete Fossey Psychedelic Deep Blues: Jimi Hendrix's, 1983 (A Merman I Should Turn to be ) (1968), Tim Buckley's, Song of the Siren (1968) and Captain Beefheart's, Grow Fins (1972) - Richard Mills Part 3: Aquatic Spaces and Practices Fan Totems: Affective Investments in the Sea Creatures of Horror and Science Fiction - Brigid Cherry Mermaid Spotting: the rise of mermaiding in popular culture - Maria Mellins Journeys in Liquid Space: Representations of the Sea in Disney Theme Parks- Lee Brooks Rivers of blood, Sea of bodies: An analysis of recent media coverage of migration and trafficking on the High Seas - Carole Murphy Part 4: Screening Sea Creatures Becoming the Shark and/vs. Controlling the Shark: Jaws Unleashed, the Animal Avatar, and Human-Animal Relationships - Michael Fuchs Songs of the Sea: Sea Beasts and Maritime Folklore in Global Animation - Mark Fryers Jurassic World's Mosasaurus as the saviour of the classic cinema blockbuster - Damian O'Byrne Nessie Has Risen from the Grave - Ian Hunter
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