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The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem ""After Bach,"" which derives from the cello suites the lesson that sadness ""can be in part /to accept the absence of One to say it to."" And it is Bronk whose work is called to mind for me by Yahia Lababidi's Barely There, in which ""in embracing, we let go.""' -- H. L. Hix, Author of First Fire, Then Birds

Produktbeschreibung
The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem ""After Bach,"" which derives from the cello suites the lesson that sadness ""can be in part /to accept the absence of One to say it to."" And it is Bronk whose work is called to mind for me by Yahia Lababidi's Barely There, in which ""in embracing, we let go.""' -- H. L. Hix, Author of First Fire, Then Birds
Autorenporträt
Yahia Lababidi, Egyptian-American, is the author of two critically-acclaimed books of aphorisms: Signposts to Elsewhere (2019) and Where Epics Fail (2018). Lababidi is also the author of four well-received books of poetry and prose, including The Artist as Mystic (2017) and Balancing Acts: New & Selected Poems (2016). He has participated in international literary festivals throughout the USA and Europe, as well as the Middle East.