Bach & God explores the religious character of the music of Johann Sebastian Bach. Noted musicologist Michael Marissen offers wide-ranging insights from detailed investigations of both words and music. Bach is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Bach & God explores the religious character of the music of Johann Sebastian Bach. Noted musicologist Michael Marissen offers wide-ranging insights from detailed investigations of both words and music. Bach is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times.
Inhaltsangabe
Preface 000 Credits 000 Acknowledgments 000 Introduction 000 Part I: Basic Lutheranism in Cantatas 1. "On the Musically Theological " in Bach's Cantatas 000 2. Historically Informed Readings of the Librettos from Bach's Cantatas 000 Part II: Taking Up Anti-Judaism in Cantatas 3. Bach's Cantata on the Destruction of Jerusalem 000 4. Bach's Cantatas and "the Jews " in the Gospel of John 000 Part III: Not Taking Up Anti-Judaism in Passion Settings 5. Bach's St. John Passion and "the Jews " 000 6. Blood, People, and Crowds in Bach's St. Matthew Passion 000 Part IV: Religious Expression in Secular Chamber Music 7. The Theological Character of Bach's Musical Offering 000 Works Cited 000 Index 000
Preface 000 Credits 000 Acknowledgments 000 Introduction 000 Part I: Basic Lutheranism in Cantatas 1. "On the Musically Theological " in Bach's Cantatas 000 2. Historically Informed Readings of the Librettos from Bach's Cantatas 000 Part II: Taking Up Anti-Judaism in Cantatas 3. Bach's Cantata on the Destruction of Jerusalem 000 4. Bach's Cantatas and "the Jews " in the Gospel of John 000 Part III: Not Taking Up Anti-Judaism in Passion Settings 5. Bach's St. John Passion and "the Jews " 000 6. Blood, People, and Crowds in Bach's St. Matthew Passion 000 Part IV: Religious Expression in Secular Chamber Music 7. The Theological Character of Bach's Musical Offering 000 Works Cited 000 Index 000
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