Mark Antliff is Professor of Art, Art History, and Visual Studies at Duke University. He is the author of Inventing Bergson: Cultural Politics and the Parisian Avant-Garde; a coauthor of Cubism and Culture; and a coeditor of A Cubism Reader: Documents and Criticism, 1906–1914 and Fascist Visions: Art and Ideology in France and Italy.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Introduction 1 Chapter 1. Fascism, Modernism, and Modernity 17 Chapter 2. The Jew as Anti-Artist: Georges Sorel and the Aesthetics of the Anti-Enlightenment 63 Chapter 3. La Cite Francaise: Georges Valois, Le Corbusier, and Fascist Theories of Urbanism 111 Chapter 4. Machine Primitives: Philippe Lamour and the Fascist Cult of Youth 155 Chapter 5. Classical Violence: Thierry Maulnier and the Legacy of the Cercle Proudhon 203 Conclusion 247 Notes 255 Bibliography 323 Index 345
List of Illustrations ix Acknowledgments xiii Introduction 1 Chapter 1. Fascism, Modernism, and Modernity 17 Chapter 2. The Jew as Anti-Artist: Georges Sorel and the Aesthetics of the Anti-Enlightenment 63 Chapter 3. La Cite Francaise: Georges Valois, Le Corbusier, and Fascist Theories of Urbanism 111 Chapter 4. Machine Primitives: Philippe Lamour and the Fascist Cult of Youth 155 Chapter 5. Classical Violence: Thierry Maulnier and the Legacy of the Cercle Proudhon 203 Conclusion 247 Notes 255 Bibliography 323 Index 345
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