Nicholas Brown theorizes the historical and theoretical conditions for the persistence of art's autonomy from the realm of the commodity by showing how an artist's commitment to form and by demanding interpretive attention elude the logic of capital.
Nicholas Brown theorizes the historical and theoretical conditions for the persistence of art's autonomy from the realm of the commodity by showing how an artist's commitment to form and by demanding interpretive attention elude the logic of capital.
Nicholas Brown is Associate Professor of English and African American Studies at the University of Illinois at Chicago, author of Utopian Generations: The Political Horizon of Twentieth-Century Literature, and coeditor of Contemporary Marxist Theory: A Reader.
Inhaltsangabe
Acknowledgments ix Introduction. On Art and the Commodity Form 1 1. Photography as Film and Film as Photography 41 2. The Novel and the Ruse of the Work 79 3. Citation and Affect in Music 115 4. Modernism on TV 152 Epilogue. Taking Sides 178 Notes 183 Bibliography 207 Index 215
Acknowledgments ix Introduction. On Art and the Commodity Form 1 1. Photography as Film and Film as Photography 41 2. The Novel and the Ruse of the Work 79 3. Citation and Affect in Music 115 4. Modernism on TV 152 Epilogue. Taking Sides 178 Notes 183 Bibliography 207 Index 215
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