Catherine A. Bradley

Authorship and Identity in Late Thirteenth-Century Motets

• Broschiertes Buch

Produktbeschreibung

This monograph reveals a musical and textual quotation of Adamâ s Aucun se sont loe incipit at the outset of Petrusâ s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrusâ their works and techniquesâ within further anonymous compositions.

Produktdetails

• Royal Musical Association Monographs
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 136
• Erscheinungstermin: 25. September 2023
• Englisch
• Abmessung: 139mm x 216mm x 12mm
• Gewicht: 206g
• ISBN-13: 9781032194608
• ISBN-10: 103219460X
• Artikelnr.: 68714391

Autorenporträt

Catherine A. Bradley is Professor at the University of Oslo.

Inhaltsangabe

A Note on Transcriptions
Contents of Montpellier Codex Fascicle 7
Introduction
1 Adam de la Halle's Presence in the Final Fascicles of the Montpellier
Codex
2 Adam and Petrus de Cruce: The 'Aucun...' Opening and Questions of
Chronology
3 People and Places: Adam and an 'Entre...' Motet Tradition
4 Petrus in the Montpellier Codex
5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of
Compositional Ownership
Conclusions
Bibliography

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A Note on Transcriptions

Contents of Montpellier Codex Fascicle 7

Introduction

1 Adam de la Halle's Presence in the Final Fascicles of the Montpellier Codex

2 Adam and Petrus de Cruce: The 'Aucun...' Opening and Questions of Chronology

3 People and Places: Adam and an 'Entre...' Motet Tradition

4 Petrus in the Montpellier Codex

5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of Compositional Ownership

Conclusions

Bibliography