Australia's Son - Jones, Garrick
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"Six deaths, if we include his, my father's, and Fabrice's, Andy," I whispered. "All because of a simple, insignificant error of judgement-Fabrice Evans just gave the wrong address to a madman."A wrongly delivered letter sparks a chain of events that threaten the life of Edward Murray, "Australia's Son", the most renowned operatic baritone of his day.It is 1902, and Edward has just returned to the Metropole Hotel after a performance of La Bohème at the Theatre Royal in Sydney, when the manager phones his apartment to tell him the police have arrived with bad news.Edward, and his vaudeville…mehr

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Produktbeschreibung
"Six deaths, if we include his, my father's, and Fabrice's, Andy," I whispered. "All because of a simple, insignificant error of judgement-Fabrice Evans just gave the wrong address to a madman."A wrongly delivered letter sparks a chain of events that threaten the life of Edward Murray, "Australia's Son", the most renowned operatic baritone of his day.It is 1902, and Edward has just returned to the Metropole Hotel after a performance of La Bohème at the Theatre Royal in Sydney, when the manager phones his apartment to tell him the police have arrived with bad news.Edward, and his vaudeville performer brother, Theodore, are shocked to hear that Edward's dresser, the brothers' oldest friend from childhood, has been found dead, stabbed in the back, in Edward's recently vacated dressing room. Following a sequence of gruesome killings, Edward and the detective assigned to protect him, Chief Constable Andrew Bolton, are lured into a trap by a man whose agenda is not only personal, but driven by a deranged mind. The silver lining for Edward during these grisly events is the smell of tar and honey, and the promise of a special friendship with the man tasked with keeping him out of harm's way. Set around the theatre world of early Edwardian Sydney, the story is steeped in the world of class divides, of music and the theatre, and what it was to be a performer at the turn of the twentieth century. Its themes of murder, treachery and foul play, are ofttimes confronting, but the story is linked throughout by Edward Murray, the man with the golden voice, whose overarching belief is that even in the darkest of times, a sliver of light can mean that hope is at hand.
Autorenporträt
From the outback to the opera. After a thirty year career as a professional opera singer, performing as a soloist in opera houses and in concert halls all over the world, I took up a position as lecturer in music in Australia in 1999, at the Central Queensland Conservatorium of Music, which is now part of CQUniversity. Brought up in Australia, between the bush and the beaches of the Eastern suburbs, I retired in 2015 and now live in the tropics, writing, gardening, and finally finding time to enjoy life and to re-establish a connection with who I am after a very busy career on the stage and as an academic. I write mostly historical gay fiction in two distinct styles; books that are erotic and those that leave things up to the reader's imagination. The stories are always about relationships and the inner workings of men; sometimes my fellas get down to the nitty-gritty, sometimes it's up to you, the reader, to fill in the blanks. Every book is story driven; spies, detectives, murders, epic dramas, there's something for everyone. I also love to write about my country and the things that make us Aussies and our history different from the rest of the world. I'm research driven. I always try to do my best to give the reader a sense of what life was like for my main characters in the world they live in.